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敦煌隋代石窟《維摩詰經變》研究=On Sui Dynasty Vimalakirti-nirdesa Sutra Tableau in Dunhuang |
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簡佩琦 (著)=Chien, Pei-chi (au.)
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| Source |
敦煌學=Studies on Tun-Huang
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| Volume | n.38 |
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| Date | 2022.08.01 |
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| Pages | 207 - 250 |
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| Publisher | 南華大學敦煌學研究中心 |
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| Publisher Url |
https://nhdh.nhu.edu.tw/Web/Index
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| Location | 嘉義縣, 臺灣 [Chia-i hsien, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 敦煌=Dunhuang; 維摩詰=Vimalakirti; 文殊=Manjushri; 經變=Sutra Tableau; 文本=text; 圖像=image |
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| Abstract | 隋代，是敦煌《維摩詰經變》數一數二早發展的時代，但至今尚未有針對隋代每一鋪作品圖文研究的成果。本文累積現場考察成果，推敲出隋代《維摩詰經變》的三個藝術史發展階段。透過「圖像」考察，發現是以「神通」為視覺焦點的設計，每一鋪皆描繪的貫穿情節為「文殊與維摩對坐」；不同鋪零星片斷描繪的是「彌勒受託」、「化菩薩捧飯」、「天女散花」。透過「文本」考察，確知是以「神通」與「人物」、「地點」為統攝契機，來攫取《維摩詰所說經》而為描繪。
The earliest surviving Vimalakirti-nirdesa Sutra Tableaux in Dunhuang can be dated to the Sui Dynasty, and yet there is no research focusing on the sutra and all those paintings. Basing on all my previous field research, this paper deduces three artistic developmental stages of Vimalakirti-nirdesa Sutra Tableaux unfolded in Sui Dynasty in Dunhuang. Iconographic study shows that ＂supernatural powers＂ are the foci of the images while the scene ＂Vimalakirti sitting across from Bodhisattva Manjushri＂ appears on every tableau. Narratives such as ＂Buddha entrusting Bodhisattva Maitreya,＂ ＂transformed Bodhisattva holding rice,＂ and the ＂heavenly ladies throwing flowers＂ appear on different paintings. Under scrutiny, it reveals that ＂supernatural abilities,＂ ＂characters,＂ and ＂places＂ are the consistent major elements presented from the sutra. |
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| Table of contents | 一、前言 209
二、圖像：隋代維摩詰經變之圖像型態與衍變 211
（一）貫穿情節：神奇斗室對坐辯法 212
（二）片斷情節 233
三、文本：隋代敦煌維摩詰經變之文本意涵 236
（一）貫穿情節：文殊與維摩對坐 236
（二）片斷情節 238
四、結論：隋代《維摩詰經變》特色 246
（一）圖像：以「神通」為視覺焦點的設計 246
（二）文本：以「神通」與「人物」、「地點」為統攝契機 247
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| ISSN | 10159339 (P) |
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| Hits | 33 |
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| Created date | 2023.04.21 |
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| Modified date | 2023.04.21 |
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