Site mapAbout usConsultative CommitteeAsk LibrarianContributionCopyrightCitation GuidelineDonationHome        

CatalogAuthor AuthorityGoogle
Search engineFulltextScripturesLanguage LessonsLinks
 


Extra service
Tools
Export
A Seated Buddha Image from Amaravati: A Reinterpretation
Author Shimada, Akira (著)
Source Artibus Asiae
Volumev.77 n.2 Special Issue
Date2017
Pages183 - 221
PublisherMuseum Rietberg Zurich
Publisher Url http://www.artibusasiae.com
LocationZurich, Switzerland [蘇黎世, 瑞士]
Content type期刊論文=Journal Article
Language英文=English
NoteAuthor Affiliation: State University of New York
AbstractA small medallion depicting a seated Buddha carved on a dome slab from the Amaravati stupa, now preserved at the Archaeological Museum at Amaravati, is undoubtedly one of the most-discussed representations of the Buddha from the site. Since its first scholarly analysis by Susan Huntington in 1990, the image has been recognized not as showing the Buddha in a narrative scene but as a rare depiction of an image of the Buddha under veneration. Scholars thus have debated whether the relief presents a particular image venerated at one of the sacred Buddhist sites in early India or an image mentioned in one of the famous legends of the Buddha. By carefully studying this image of the Buddha on multiple visits to Amaravati and by examining other images of the Buddha from Amaravati and other Andhran Buddhist sites, I have reached a rather different understanding. As will be argued below, when the dome slab was made around the late first century BCE or early first century CE, the Buddha image was not part of the relief. It was most likely added during the late Iksvaku period or slightly later (c. late third-early fourth century CE). The image seems to have been added as an attempt to modify the meaning of the older sculpture in order to meet the changing interests and practice of the Buddhist community. The image also indicates the growing popularity of carving small sacred images on early relief panels for acquiring religious merit at Amaravati in the late Iksvaku period, when the patronage system to support the construction and embellishment of the stupa had already declined.
Table of contentsOverview of the Image and Early Interpretations 183
Undiscussed Questions about the Panel and a New Interpretation 185
Embellishing the Stupa with Buddhas: Significance of the Buddha Image in Question 209
Conclusion 212
Appendix A 214
Appendix B 219
ISSN00043648 (P)
Hits239
Created date2023.08.08
Modified date2023.08.08



Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE

Notice

You are leaving our website for The full text resources provided by the above database or electronic journals may not be displayed due to the domain restrictions or fee-charging download problems.

Record correction

Please delete and correct directly in the form below, and click "Apply" at the bottom.
(When receiving your information, we will check and correct the mistake as soon as possible.)

Serial No.
679042

Search History (Only show 10 bibliography limited)
Search Criteria Field Codes
Search CriteriaBrowse