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論塔爾寺羌姆——“法王舞”的構成要素及其美學價值=Research into the Component Elements and Aesthetic Value of Qiangmu: Fawang Dancing in Taer Lamasery |
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| Author |
李華 (著)=Li, Hua (au.)
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| Source |
青海民族研究=Nationalities Research in Qinghai
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| Volume | n.3 |
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| Date | 2010 |
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| Pages | 152 - 155 |
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| Publisher | 青海民族學院民族研究所 |
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| Location | 西寧, 中國 [Xining, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：青海師范大學音樂系 |
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| Keyword | 塔爾寺羌姆=Qiangmu of Ta’er Lamasery; 面具=face mask; 美學價值=aesthetical values |
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| Abstract | 宗教樂舞羌姆——"法王舞"是塔爾寺絢麗多彩的宗教文化藝術作品中富有獨特魅力和獨特藝術特征的作品,它集繪畫、面具、服飾、音樂、舞蹈等藝術手段及藏傳佛教儀式為一體,以動態雕塑的形式、理性的構思、嚴謹的結構秩序、精湛的工藝手法,惟妙惟肖地創造出對護法神的構想塑造及對藏傳佛教生命觀的深刻解讀與表達。盡管"法王舞"是一種宗教儀式形式,表現了一定的宗教觀念,宗教精神、宗教情感和宗教教理。但生命感受脈絡是以崇仰意向、生存欲求、審美情緒三個層面為主體的交合結構。因此,在"法王舞"的創作、表演過程中,自始至終都蘊藏著藏傳佛教獨特的藝術創作技法、手段,古老、質樸、簡潔、凝重的創作意識與審美理念。
The Qiangmu is a bright and colorful religious works of cultural and art form in Qinghai Ta’er Lamsery, which has unique charms and characteristic of art. It is a kind of art form and ceremony of Tibetan Buddhism, which consists of painting, face masks, dresses and personal adornment, music and dance, showing in the form of dynamic carve and mould to express their understanding about way of life. Although Qiangmu is kind of ceremony to express the religious ideas and spirits, it embodies a structure of faith, survival and aesthetic. Therefore in the process of performing, it also shows unique creating consciousness and aesthetical ideas. |
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| ISSN | 10055681 (P) |
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| DOI | 10.15899/j.cnki.1005-5681.2010.03.017 |
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| Hits | 57 |
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| Created date | 2023.08.11 |
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| Modified date | 2023.08.11 |
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