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Ascending to a Buddha Land: A Study of a Pagoda Valley Sculpture on Namsan in Unified Silla
Author Kim, Sunk-yung (著)
Source Ars Orientalis
Volumev.46
Date2016
Pages61 - 99
PublisherFreer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan
LocationMichigan, US [密西根州, 美國]
Content type期刊論文=Journal Article
Language英文=English
NoteSunkyung Kim, PhD (2005), Duke University, is an independent scholar specializing in Buddhist art, mortuary practices, and the visuality of early medieval China and Korea. Her publications include “Seeing Buddhas in Cave Sanctuaries,” Asia Major 24, no. 1 (2011); “Awakened, Awaiting, or Meditating? Readdressing the Seated Image of Silla Korea at the Buddha Valley on Mount Nam,” The Journal of Korean Studies 16, no. 1 (2011); and “Contesting the Lost Land, New Land, and Pure Land: Buddhist Steles of Seventh-century Korea,” Archives of Asian Art 59 (2009).
AbstractLong revered as a sacred realm, Namsan (South Mountain) in Kyŏngju, Korea, is home to both numerous temple ruins and massive boulders on which various Buddhist deities have been carved. One boulder in particular, known as T’apkok monument, is exemplary: its site and visual motif represent the Silla Buddhists’ unique ideal for the Buddha Land, or pulgukt’o. Comparing the visual vocabulary of excavation sites in the Kyŏngju basin, this study interprets the T’apkok sculpture as a rock version of a late seventh-century monastery compound. This new perspective provides a better understanding of how the monument established a stage that anticipated the Buddha’s manifestation on this mountain.
Table of contentsAbstract 61
I. Prologue 61
II. Structure 63
III. Issues 65
1. Myŏngnang 明朗 Connection? 66
2. The Four Directional Buddhas 71
IV. Proposal 74
1. The Buddha Land Ideal 74
2. Boulder and Image 78
V. Epilogue 89
Notes 91
ISSN05711371 (P)
Hits171
Created date2023.10.26
Modified date2023.10.26



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