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Maitreya, the Saviour? Enigmatic ‘Mahābodhisatvas’ in Kucha
Author Zin, Monika (著)
Source Hualin International Journal of Buddhist Studies
Volumev.6 n.1 Special Issue
Date2023.05
Pages336 - 378
PublisherCambria Press
Publisher Url http://www.cambriapress.com/
LocationNew York, US [紐約州, 美國]
Content type期刊論文=Journal Article
Language英文=English
Note1. Special Issue: Buddhist Narrative Literature.

2. Author Affiliation: Saxon Academy of Sciences and Humanities / Leipzig University, Germany.
KeywordKucha; Buddhist murals; self-sacrifice; Maitreya; Avalokiteśvara
AbstractNarrative art requires pictorial conventions to convey the content of pictures. Artists have to provide information about the social status of a person, the place and time of an event, etc., without employing words. Pictorial conventions have to be consistent to be understandable; any deviation will be detected and is therefore probably meaningful. In paintings from Kucha, a clear distinction is made between the headgear of a king and the hairdo of a Brahmanical ascetic. However, in a number of jātaka representations the self-sacrificing king is shown with the hairstyle of a Brahmanical ascetic. There even are jātaka paintings in which the Bodhisatva is shown with a mandorla—a feature reserved in Kucha exclusively for the samyaksaṃbuddhas and the ‘Mahābodhisatvas’ like the future Buddha Maitreya. It is obvious that the paintings are transmitting a particular message. But how would a viewer in the past have understood, for example, an image of the King Pradīpapradyota—shown guiding the merchants on their way with his hands burning—represented with the ascetic hairdo of Maitreya… or rather, of Avalokiteśvara?
Table of contentsAbstract 336
Keywords 336
Bibliography 370
Abbreviations 370
Primary Sources 371
Secondary Sources 371
ISSN25762923 (P); 25762931 (E)
DOI10.15239/hijbs.06.01.08
Hits95
Created date2024.08.23
Modified date2024.08.27



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