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Polychromed Sculptures in Japan |
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| Author |
Yamasaki, Kazuo (著)
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Nishikawa, Kyotaro (著)
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| Source |
Studies in Conservation
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| Volume | v.15 n.4 |
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| Date | 1970.11 |
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| Pages | 278 - 293 |
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| Publisher | Taylor & Francis |
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| Publisher Url |
http://www.tandf.co.uk/journals
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| Location | Oxfordshire, UK [牛津郡, 英國] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Note | 1. Special Issue on the Conservation, Technique and Examination of Polychromed Sculpture.
2. Kazuo Yamasaki
Nagoya University, Japan.
3. Kyotaro, Nishikawa
National Agency for Cultural Affairs, Japan. |
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| Abstract | Japanese sculptures are made of wood, dry lacquer, clay, gilt bronze and stone. Buddhistic statues, made of wood, are the most abundant. The painting techniques of the wooden sculptures, including ground coating, pigments, and application of Japanese lacquer, are described, and typical examples of Buddhistic statues are given. Specific case studies on a clay statue and a wooden sculpture are made.
Les sculptures japonaises sont en bois, vernis sec, argile, bronze doré et pierre. Les statues de Bouddha en bois sont les plus abondantes. On décrit les techniques de peinture des sculptures en bois, y compris la préparation, les pigments et l'application de la laque japonaise; on donne des exemples typiques de statues bouddhistes. Une statue en argile et une sculpture en bois ont fait l'objet d'études spécifiques.
Japanische Plastiken werden aus Holz, Trockenfirnis, Ton, Goldbronze und Stein gemacht. Die hölzernen Buddhabilder weisen die ergiebigsten Merkmale auf. Die beim Malen der hölzernen Bilder angewandten Techniken, welche sich auf die Grundierung, die Farbstoffe und die Anwendung japanischer Lackfarben beziehen, werden beschrieben und typische Beispiele von Buddhabildern werden angeführt. Es werden Sonderstudien von einem Tonbild und einer Holzplastik gemacht.
Le sculture giapponesi sono fatte di legno, lacca secca, argilla, bronzo dorato e pietra. Le statue buddistiche in legno sono le più numerose. Si descrivono le tecniche pittoriche delle sculture in legno, che comprendono la mestica i pimenti e l'applicazione della lacca giapponese, e si dànno esempi tipici di statue buddistiche. Si fanno studi specifici esemplificativi di una statua in argilla e di una in legno.
Esculturas japonesas están hechas de madera, laca seca, barro, bronce dorado y piedra. Las más abundantes son las estátuas búdicas hechas de madera. Se describen las técnicas de pintura de las estatuas de madera, incluyendo la capa del fondo, pigmentos, y la aplicación de laca japonesa y se dan ejemplos típicos de estatuas búdicas. Se hacen estudios de casos específicos sobre una estatua de barro y una escultura de madera. |
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| Table of contents | Abstract 278
1. INTRODUCTION 278
2. MATERIALS OF JAPANESE SCULPTURES 279
3. PAINTING TECHNIQUE OF THE JAPANESE SCULPTURES 280
3.1 Ground Coating 280
3.2 Colouration and Decoration 280
4. REPAIR METHODS 282
4.1 Materials 282
4.2 Methods 283
5. EXAMPLES OF TYPICAL BUDDHISTIC STATUES 283
6. SPECIFIC CASE STUDIES 288
1. Vajrapani (Shikongōshin) of the Tōdaiji temple in Nara 288
2. The 'Moon Disk' and its lotus pedestal contained in the Amitabha of the Byōdōin 289
3. The use of a substitute for azurite in the statues of the 10th-11th centuries 291
REFERENCES AND NOTES 291
Abstrait 292
Kurzfassung 293
Riassunto 293
Extracto 293 |
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| ISSN | 00393630 (P); 20470584 (E) |
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| DOI | 10.2307/1505528 |
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| Hits | 16 |
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| Created date | 2025.01.20 |
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| Modified date | 2025.02.10 |
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