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從法身到肉身——試論初唐佛像樣式轉變的觀念背景=From the Dharma Body to the Corporeal Body: Rethinking the Development of the Early Tang Style from a Conceptual Perspective |
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吳虹 (著)=Wu, Hong (au.)
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| Source |
復旦學報 (社會科學版)=Fudan Journal (Social Sciences Edition)
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| Volume | n.1 |
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| Date | 2023 |
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| Pages | 126 - 137 |
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| Publisher | 復旦學報編輯委員會 |
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| Publisher Url |
http://www.fdwkxb.fudan.edu.cn/CN/volumn/home.shtml
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| Location | 上海, 中國 [Shanghai, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 吳虹，哲學博士，復旦大學哲學學院講師。 |
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| Keyword | 法身=dharma body; 肉身=corporeal body; 初唐風格=early Tang style; 佛教藝術=Buddhist art |
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| Abstract | 佛教藝術風格的發展並非僅僅是不同審美意識或地域文化交流的結果。作為崇拜的對象，佛像的造型必然還包含、反映著民眾對於佛的概念和性格的認識。本文重新梳理南北朝到初唐時期的佛像的風格變化，反思傳統“胡化”、“漢化”的解釋框架，認為僅從文化交流和競爭的角度出發無法全面理解中國5～7世紀佛像在多種樣式之間的發展和變化，進而從佛像觀念的角度展開對於初唐佛像樣式轉變動因的探究。結合對於初唐樣式發展的時間梳理，以及造像記、靈驗像故事、舍利信仰等現象的討論，本文認為7世紀末，民眾對於佛像的觀念發生了重要變化，從南北朝時期被認為是“法身”的應化，到此時變化為“肉身”的佛像。初唐風格的確立和流行，或許可以在這樣的從法身到肉身的觀念轉化的背景下進一步分析和思考。
The visual configurations of Buddha images are more than mere results of aesthetic decisions or inter-regional exchanges. As icons of worship, Buddha images must have also encapsualated and embodied people’s conceptions of the Buddha in the visual form. This article re-evaluates the development of the Buddhist artistic style from the fifth to the seventh century and reflects on the traditional narrative structure that locates the evolution of Chinese Buddhist art in the interaction and competition between two opposing influences: the Western and the Sinicizing influences. This paper argues that this traditional bi-polar model is inadequate for a full picture of the complex development of Chinese Buddhist artistic development and proposes to examine the emergence of the early Tang style from a conceptual perspective instead. It re-examines the early Tang statues in Chang’an and Luoyang, and clarifies the timeline of the early Tang style’s emergence and popularization. Analyzing in conjunction with developments in donative inscriptions, tales of miraculous images and relic worship, this paper argues that a significant conceptual change surrounding the notion of Buddha images had taken place in the last quarter of the seventh century. From being perceived as the manifestation of the dharma body in the Northern and Southern Dynasties, Buddha images began to be seen as possessing increasingly corporeal bodies. It was accompanying this conceptual change that the fleshy corporeal style of the Early Tang Buddhist art finally emerged triumphant. |
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| Table of contents | 一、重新思考初唐风格的形成和印度热潮 126
二、南北朝末期佛教艺术的身体表现 129
三、从法身到肉身的转变 133 |
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| ISSN | 02570289 (P) |
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| Hits | 28 |
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| Created date | 2024.04.29 |
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| Modified date | 2024.04.29 |
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