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親鸞と四六駢儷体=Shinran and the Use of the siliu pianliti 四六駢儷体 (Four and Six Character Line Chinese Prose Style)
Author 河野悠玄 (著)=Kohno, Yugen (au.)
Source 印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū
Volumev.72 n.2 (總號=n.162)
Date2024.03.20
Pages553 - 556
Publisher日本印度学仏教学会
Publisher Url http://www.jaibs.jp/
Location東京, 日本 [Tokyo, Japan]
Content type期刊論文=Journal Article
Language日文=Japanese
Note作者為龍谷大学大学院修了
Keyword親鸞; 四六駢儷体; 教行証文類; 文体論
AbstractThis paper examines Shinran’s use of the siliu pianliti 四六駢儷体, four and six character line prose style of Chinese literature, to demonstrate the significance and background of his adoption of this style of writing, thereby challenging previous scholarly assumptions about its origins and influences. Compared to the writings of his contemporaries who also used this literary style, such as Seikaku 聖覚 and Shinzui 信瑞, Shinran’s usage shows some commonalities but also shows his unique adaptation of this literary style. Shinran’s use of the siliu pianliti in the Kyōgyōshinshō also provides a clue for understanding who his intended readers were, and the purpose of his writings.
Table of contentsはじめに 553
一 四六駢儷体について 553
二 親鸞における四六駢儷体 553
三 なぜ親鸞は四六駢儷体を用いたのか 554
四 親鸞が期待した四六駢儷体の効果 555
五 親鸞が想定した四六駢儷体の読み手 555
小結 556
〈参考文献〉 556
ISSN00194344 (P); 18840051 (E)
DOIhttps://doi.org/10.4259/ibk.72.2_553
Hits12
Created date2025.01.21
Modified date2025.02.14



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