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敦煌莫高窟第465窟壁畫雙身圖像辨識=The Double-body Images in the Dunhuang Mogao Caves 465 |
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| Author |
謝繼勝
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.69) |
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| Date | 2001.08 |
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| Pages | 1 - 11 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 莫高窟; 第465窟; 壁畫; 藏傳佛教; 佛教造像 |
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| Abstract | 敦煌莫高窟第465窟壁畫是藏區以外現存最早、 最完整的藏傳風格寺廟壁畫，在藏傳佛教繪畫史上具有重要的斷代意義。該窟壁畫中的個 別雙身圖像不見於傳統的藏傳佛教造像體系，對壁畫雙身像身份的確定，有助於對整個壁畫 表現的宗教義理、教派傳承，乃至於藝術風格和創作年代的判定。作者根據謝稚柳先生《敦 煌藝術敘錄》的藏文記音和藏傳佛教造像學描述，對壁畫中的雙身圖像進行了初步的辨識。
The wall-paintings of the Dunhuang Mogao Cav es 465 are the earliest an d most complete Tibetan Buddhist art materials except the Tibetan areas and have important significance in the history of the Tibetan Buddhist paintings. The fe w double body images in this cave have not be seen in the traditional iconograp h ical system of the Tibetan Buddhism. In this paper, author gives a detailed stud y in these paintings and tries to distinguish their identities separately. |
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| ISSN | 10004106 (P) |
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| Categories | 石窟; 佛教圖像; 繪畫 |
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| Dynasty | 元代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 600 |
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| Created date | 2005.04.29 |
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| Modified date | 2018.02.05 |
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