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敦煌佛教藝術之社會性表現=Social Representation of Dunhung Arts
Author 沙武田 (著)=Sha, Wu-tien (au.)
Source 普門學報=Universal Gate Buddhist Journal
Volumen.42
Date2007.11.01
Pages49 - 84
Publisher佛光山文教基金會=Fo Guang Shan Foundation for Buddhist Culture & Education
Publisher Url https://www.fgs.org.tw/
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者為敦煌研究院副研究員
Keyword敦煌藝術; 社會性
Abstract敦煌佛教藝術,除了表現佛教教義,描繪塑造各種佛經內容,作為信仰主體的朝拜對象之外,更重要的是它是歷史的產物,所表現的是歷史本身。敦煌藝術是一種大眾化的、人間化的文化與藝術,來源於生活,而又反作用於生活。因此探討敦煌藝術的社會性顯得意義非常。本文作者通過對敦煌藝術從「建築藝術」、「雕塑藝術」、「壁畫藝術」及「專題研究」等四個方面,對敦煌藝術的社會性表現作一概要之論述。
ISSN1609476X (P)
Hits1833
Created date2008.03.10
Modified date2017.12.07



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