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佛教與中國美學 -- 兼論中國人的宇宙觀、自然觀、藝術觀=Buddhism and China s Aesthetics: With a Note on the Chinese s Outlook on the World,Nature and Art |
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Author |
蔣述卓=Jiang, Shu-zhuo
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Source |
廣西青年干部學院學報=Journal of Guangxi Youth Leaders College
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Volume | v.12 n.2 |
Date | 2002.04 |
Pages | 12 - 14 |
Publisher | 廣西青年幹部學院 |
Publisher Url |
http://journalseek.net/cgi-bin/journalseek/journalsearch.cgi?field=issn&query=1008-5254
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Location | 南寧, 中國 [Nanning, China] |
Content type | 期刊論文=Journal Article |
Language | 中文=Chinese |
Note | 作者單位:暨南大學校黨委 |
Keyword | 佛教=Buddhism; 中國美學=China s aesthetics; 影響=influence |
Abstract | 佛教對中國美學的影響深遠凝重。佛教的心性學說促進了中國美學對藝術家主體作用的探索,進一步強化了中國美學的主體性意識;佛教的“頓悟”說進一步加強了中國美學的直覺感悟色彩;佛教的虛空觀促進了中國美學觀念以及思維方式的變化;佛教的唱導、俗講以及世俗化的禪宗促進了中國美學思潮和文人審美意識的變化。
The influence of Buddhism on China s aesthetics is wide,deep and far-reaching.Buddhism s “temperament”theory has promoted the exploration of the main part of artists and further enhanced the subject awareness in China s aesthetics.Its “insight” theory has strengthened coloring of intuitive cognition in China s aesthetics.Its“void”view has accelerated the change of concepts and thinking modes in China s aethetics.And its“changdao”(“chanting with enlightenment”),“sujiang”(“the popular chanting”)and secularize...
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Table of contents | 一.佛教的心性學說促進了中國美學對藝術家主體作用的探索,進一步強化了中國美學的主體性意識 二、佛教的“頓悟”說進一步加強了中國美學的直覺感悟色彩 三、佛教的虛空觀促進了中國美學觀念以及思維方式的變化 四、佛教的倡導、俗講以及禪宗的世俗化促進了中國美學思潮和文人審美意識的變化 |
ISSN | 10085254 |
Hits | 469 |
Created date | 2009.09.10 |
Modified date | 2010.10.26 |
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