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南傳佛教在東南亞的先驅 -- 泰國墮羅鉢底時期的雕塑=The Sculptures of Dvaravati: The Pioneer of Theravada Buddhism in Southeast Asia
Author 嚴智宏 (著)=Yen, Chih-hung (au.)
Source 臺灣東亞文明研究學刊=Taiwan Journal of East Asian Studies
Volumev.2 n.1
Pages3 - 59
Publisher臺灣大學人文社會高等研究院=Center for the Study of East Asian Civilizations, National Taiwan University
Publisher Url
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Keyword墮羅鉢底=Dvaravati; 南傳佛教美術=Theravada Buddhism; 泰國=Thailand; 東南亞=Southeast Asia; 文化史=cultural history

Dvaravati is one of the earliest bases of Theravada Buddhism established in Southeast Asia. It is also one of the earliest cultures of Southeast Asia, and one of the early cultures of Thailand. However, it has long been ignored. The existing literatures relating to Dvaravati usually lean towards one side. They either states that Dvaravati has been Indianized, or that the people of Dvaravati have created their own art. Accordingly, this essay aims to explore to art of Dvaravati. It discusses the forms, styles and development of its art, adopting a perspective different from the above mentioned ones. It finds that many works of art of Dvaravati are the sculptures of Sakyamuni inspired by Theravada Buddhism, and that to this religion the people of Dvaravati have their own interpretation. Also, the essay argues that although the art of Dvaravati has been influenced by that of India, it has learnt from other cultures, e.g., Khmer and Java, synthesized them with indigenous one on the basis of local context, and created its new works.
Table of contents一、緣起 5
二、文獻探討和分析架構 6
三、墮羅鉢底時期的歷史情境 12
四、墮羅鉢底初期的美術(約6世紀) 15
五、墮羅鉢底主要時期的美術 17
(一)思想背景 17
(二)作品上的融合創新 21
六、墮羅鉢底晚期的美術(約9世紀後) 26
七、結論 32
ISSN18126243 (P)
Created date2009.12.11
Modified date2019.07.24

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