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'Don Rta dbyangs Gsum: Tibetan Chant and Melodic Categories |
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| Author |
Ellingson, Ter (著)
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| Source |
Asian Music
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| Volume | v.10 n.2 Tibet Issue |
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| Date | 1979 |
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| Pages | 112 - 156 |
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| Publisher | University of Texas Press |
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| Publisher Url |
https://utpress.utexas.edu/
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| Location | Austin, TX, US [奧斯汀, 德克薩斯州, 美國] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Note | Music examples, charts, tables
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| Keyword | Tibet; Chant; Melodic categories; Religion; Religious music; Melody; Classification; Music; Liturgy; Ritual; Ellingson, Terry Jay |
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| Abstract | Tibetan Buddhism developed what is almost certainly one of the largest vocal music repertories existing anywhere in the world. Tibetan performers use several systems to classify the repertory by text or tradition, or according to either the object (yul) and deity (lha) to whom the chant is addressed or its function (don). Musical specialists prefer a classification of monastic chant according to melodic type: 'don, recitation chants; rta, melodic chants; and bdyangs, tone-contour chants. |
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| Table of contents | Gdangs and Dbyangs 117
The Components of Melody 118
'Don: Recitation-chants 121
Dbyangs: Tone-contour Chants 144
Melody Beyond Melody? 150
Notes 153
References Cited 155 |
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| ISSN | 00449202 (P); 15535630 (E) |
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| DOI | https://doi.org/10.2307/833989 |
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| Hits | 446 |
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| Created date | 2001.05.30
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| Modified date | 2022.05.18 |
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