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造像碑的涅槃經變=Stories of Buddha’s Nirvana Sūtra Carved on Stone Tablets |
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| Author |
李靜傑
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.51) |
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| Date | 1997.02 |
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| Pages | 69 - 80 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | WP3182
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| Keyword | 佛教藝術=Buddhist Art; 涅槃經變 |
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| Abstract | 造像碑的涅經變李靜杰涅般木經變是隋唐時期出現和流行的佛教藝術題材。它以涅般木經典為主要表現對象，將諸多情節的佛涅般木傳說，用單幅或多幅連續構圖形式描繪出來，旨在宣揚常、樂、我、凈的思想。與南北朝時期作為佛本行故事組成部分的涅般木情節以及從本行情節中...
In the Banpo Temple of Linyi a tablet named “the one of the Figure of Buddha’s Nirvana of Dayun Temple” was erected in the 3rd year of Tianshou of Wu Zetian’s Zhou Dynasty (692 A.D.). Another tablet which carried an inscription entitled “The Construction of the Tablet of Amitabha by Wang Shandeng” was erected in the twenty second year (734 A.D.)of Kaiyuan of Tang Dynasty. The contents of the sūtra stories recorded on the two tablets are different from that in the murals of the Dunhuang Grottoes .This paper,with the help of the historical data and through analysing the connotations of Nirvana sūtra stories, verifies relations between the tablet of the 3rd year of Tianshou and Wu Zetian’s dynastic changes.
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| ISSN | 10004106 (P) |
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| Dynasty | 南北朝-北朝 |
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| Regions | 中國 |
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| Hits | 378 |
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| Created date | 1998.04.28
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| Modified date | 2018.01.31 |
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