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莫高窟第290窟佛傳畫中的瑞應思想研究=An Auspicious Thought Demonstrating in Wall Paintings of a Story about Sakyamuni’s Life in Mogao Cave 290 |
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| Author |
賀世哲
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.51) |
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| Date | 1997.02 |
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| Pages | 1 - 5 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | WP3184 |
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| Keyword | 佛教藝術=Buddhist Art; 莫高窟; 瑞應 |
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| Abstract | 莫高窟第２９０窟佛傳畫中的瑞應思想研究賀世哲敦煌莫高窟的佛傳故事畫，到北周時期（５５６—５８１年）達到了高峰，第２９０窟人字披所畫佛傳連環故事畫堪稱上乘。畫面總長２８米多，故事情節多達８９個，這在公元６世紀的世界佛傳造像中也居首位，算得上是稀世珍品。...
In Mogao Cave 290,which was constructed in the Northern Zhou dynasty, paintings of the story of Buddha’s life on the ∧ shaped ceilings are fine work of art in the history of early picture stories. The eighty nine scenes are arranged in three strips in an S pattern. The content of the thirty seven per cent of the scenes describes the plots of auspicious stories. The plots are not found in paintings of the same story in the Yungang Cave 6 and Kizil Cave10. It proves that the auspiciaus thought was paid more attentions in Dunhuang Budhism in the Northern Zhou dynasty. The auspicious thought emerged in China long ago. According to the records of Buddhist Scriptures ,after the birth of Prince Sidhartha, auspicious signs occurred in the kingdom of Kapilavastu. Both in Buddhism and Chinese traditional culture,the auspicious thought goes back to ancient times. ln cave 290, the content of paintings of Buddha’s life is combination of Buddhism and Chinese traditional culture, It also expresses that the Yuwen family, the ruling clique at that time believed in Confucianism and assimilated the culture of Han nationality. |
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| ISSN | 10004106 (P) |
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| Categories | 展覽介紹 |
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| Dynasty | 五胡十六國 |
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| Regions | 甘肅(敦煌莫高窟); 山西(大同雲岡石窟); 新彊(拜城克孜爾石窟) |
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| Hits | 378 |
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| Created date | 1998.04.28 |
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| Modified date | 2018.01.31 |
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