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佛教梵唄的美學及象徵意義=Buddhist Chanting:Aesthetics and Symbolism
Author 葉明媚=Yip, Ming-mei
Source 第九屆國際佛教教育研討會=The Ninth International Conference on Buddhist Education
Date1994.07.16-20
Pages111
Publisher華梵佛學研究所=Institute for Sino-Indian Buddhist
Location臺北縣, 臺灣 [Taipei hsien, Taiwan]
Content type會議論文=Proceeding Article
Language中文=Chinese
Note中英文提要=Chinese and English Abstracts; English Abstract:p.112
Keyword葉明媚;Yip, Ming-mei;
Abstract唱誦為佛教宗教儀式中相當重要的一環.

就美學觀點與象徵意義而言,佛教哲理對佛教音樂有極大的影響.

本文將探究蘊含在佛教儀式,和佛子自修時所用的梵唄,其美學價值和象徵意義. 文中將自梵唄重複的音節,樂章終止前低迥的旋律,漸近的音階轉換和和聲等正統音樂的各個角度來討論;木魚,鈴,鼓,和銅罄等特殊樂器的使用也將一併述及.

復次,本文亦將根據經典,就印度原始佛教與大乘佛教二者對梵唄使用不同見解,作一比較說明.
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Created date2001.02.21



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