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依義理重構佛教美學之探究：以「俱舍論」為例示= A Study of Reconstructing the Aesthetics of Buddhism：An Approach of Abhidharmakosa-Sastra |
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| Author |
蕭振邦 (著)=Shiau, Jenn-bang (au.)
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| Source |
中央大學人文學報 =National Central University Journal of Humanities
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| Volume | n.19 |
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| Date | 1999.07 |
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| Pages | 1 - 33 |
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| Publisher | 國立中央大學文學院 |
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| Publisher Url |
http://lit.ncu.edu.tw/
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| Location | 桃園縣, 臺灣 [Taoyuean hsien, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：國立中央大學哲學研究所 |
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| Keyword | 規範科學=normative science; 終極目的=final purpose; 第一性範疇=firstness category; 現象之學=phaneroscopy; 五位七十五法=pañca-saptatih dharma; 實踐性格=characteristic of practice; 勝義美學=nitartha-aesthetics; 別理美學= na neyãrtha-aesthetics; 淨化=purgation & purification; 意味暨暗示= suggestion and significance; 美感形上學=aesthetic metaphysics; 形上美學=metaphysical aesthetics |
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| Abstract | 本文以Peirce的美學觀點作為參考架構，而依《俱合論》之義理，大體例示了重構佛教美學的幾個面相暨線索，並且在討論過程，也簡要說明了緩和佛教的反美學與系統美學之間衝突的可能，間以Schopenhauer的藝術哲學觀對照說明一般性佛教美學（別理美學）的重構旨趣，進而凸顯可能圓滿的佛教美學觀（勝義美學）。最後，依《俱合論》提示之線索，嘗試鉤勒出深層的佛教美感形上學特質 ：(1)無執之美； (2)超越的淨化論；(3)作為「藝術」之本質的rasa；(4)形上美學的轉化。本文已然揭示以《阿毘達磨俱舍論》為進路，已足以重構原始佛教圓滿的美學觀。
With Peirce's conception of aesthetics as a frame of reference, and the doctrine of Abhidharmakosa-Sastra as the starting point, this essay develops some aspects and clues which could be applied for the reconstruction of an Aesthete of Buddhism. It tries to clarify mitigate the possible conflicts between anti-aesthetics and systematic aesthetic.
The deep aesthetic significance is further explored through a discussion of the two theses of Nltãrtha-aesthetics and na neyãrtha-aesthetics. Finally, the distinguishing feature of the Aesthetics of Buddhism lies in certain characteristics of aesthetic metaphysics, which could be expressed as : (1) "wu-chih" Beauty; (2) transcendent purgation and purification; (3) rasa as the essence of Art; (4) the transformation of metaphysical aesthetics. Abhidharmakosa-Sãstra is shown to be able to provide an approach for the reconstruction of a Buddhist "perfection-aesthetics," which incorporates the ideas of
"k'ung (emptiness)" and "yu (being)." |
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| Table of contents | 壹、前言 3
一、研究宗旨暨進路 3
二、研究進路說明 4
貳、Peirce的美學觀－－重構佛教美學的理論參考架構 6
一、知識學面相 6
二、作為知識學的美學內涵 7
參、漢譯《阿毘達磨俱舍論》中的佛教美學重構線索 10
一、《俱合論》的「現象之學」 11
二、實踐性格的調整融入 12
三、勝義美學與別理美學 13
肆、《阿毘達磨俱舍論》所可能例示的佛教美學諸面相 15
一、無執之美 16
二、超越的淨化論 16
三、作為藝術之本質的rasa 18
四、形上美學的轉化 19
伍、結語 20 |
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| ISSN | 10283692 (P) |
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| Hits | 371 |
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| Created date | 2000.12.28
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| Modified date | 2019.12.18 |
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