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Iconography of the Buddhist Sculpture of Orissa
Author Dreitlein, Thomas
Date2001
Pages514
PublisherIndira Gandhi National Centre for the Arts and Abhinav Pub.
LocationNew Delhi, India [新德里, 印度]
Content type書籍=Book
Language英文=English
Note2 Vols.
Keyword大黑天=Mahakala; 手印=mudra=finger-prints=seals=signet-rings=mystic positions of the hand; 文殊菩薩=文殊師利菩薩=Manjusri; 佛教人物=Buddhist; 法界=Dharmadhatu; 金剛薩埵=Vajrasattva=Vajra-sattva; 度母=Tara; 浮圖=浮屠=佛塔=stupa=pagoda ; 般若波羅密多=般若=Prajnaparamita=Prajna=Perfection of Wisdom; 曼陀羅=曼荼羅=壇城=Mandala; 菩薩=Bodhisattva; 圖像學=Iconography; 雕塑=雕刻=Sculpture; 彌勒菩薩=Maitreya=Miruk
Table of contents
Vol. I. Text
Introduction
I. Historical background
1. Early historical background
2. Uddiyana-pitha
3. Later historical background
II. Buddhist sites in Orissa
1. Balasore district
2. Bolangir district
3. Cuttack district
4. Dhenkanal district
5. Ganjam district
6. Keonjhar district
7. Mayurbhanja district
8. Phulbani district
9. Puri district
10. Sambalpur district
III. Buddha/Tathagata images
1. Images of standing Buddha
2. Images of seated Buddha
3. Vajrasattva/Vajradhara
4. Maitreya
IV. Mandalas and mandala Bodhisattvas
1. Stupa mandalas with eight/sixteen Bodhisattvas
2. Sculptural mandalas with eight Bodhisattvas
3. Mandalas with eight free-standing Bodhisattvas
4. Mandala Bodhisattva iconography
5. The cult of eight Bodhisattvas
V. Manjusri images
1. 2-Armed images with a book
2. Seated Manjusri in a relaxed pose/Maharajalila Manjusri
3. Seated Manjusri in Dharmacakra-mudra/Manjuvara/Manjughosa
4. Seated Manjusri with book and sword/Arapacana/Vajratiksna
5. Seated Manjusri in Dhyana-mudra/Vajraraga/Amitabha/Dharmasankha
6. 2-Armed Manjusri with bow and arrow/Vajraraga (Mara)
7. 6-Armed Manjusri with bow and arrow/Manjuvajra
8. 8-Armed Manjusri with bow and arrow/Dharmadhatu-Vagisvara
VI. Avalokitesvara images
1. 2-Armed Avalokitesvara in Varada-mudra/Lokanatha or Lokesvara
2. 2-Armed pensive Bodhisattva/Cintamanicakra Avalokitesvara
3. 2-Armed Khasarpana Lokesvara
4. 2-Armed Avalokitesvara in Dharmacakra-mudra
5. Rakta-Lokesvara/Vajradharma
6. 4-Armed Sadaksari Lokesvara
7. 4-Armed Avalokitesvara/Jata-mukuta Lokesvara/Mahakaruna
8. 4-Armed Avalokitesvara with a Conch/Sankhanatha Lokesvara
9. 4-Armed Avalokitesvara with a noose/Amoghapasa Lokesvara
10. 4-Armed Avalokitesvara with a Trident/Sugatisandarsana Lokesvara
11. 6-Armed Avalokitesvara with a Trident/Sugatisandarsana Lokesvara
12. 6-Armed Avalokitesvara with a Consort/Halahala Lokesvara
VIII. Vajrapani,male emanations of Aksobhya, and Mahakala
1. Vajrapani
2. Male emanations of Aksobhya
3. Mahakala
VIII. Tara images
1. Astamahabhaya Tara
2. 2-Armed images of Tara
3. 4-Armed images/Dhanada-Tara
4. 4-Armed images/Sita-Tara
5. 4-Armed images/Durgottarini-Tara
6. 6-Armed images
7. 8-Armed images/Vajra-Tara
IX. Female manifestations and emanations
1. Female companions and the formative stage of Prajna development
2. Goddesses of knowledge and teaching
3. Bhrkuti
4. Unidentified seated Goddesses
5. Goddesses seated above/trampling upon corpses or Hindu deities
6. Marici
X. Fertility deities, companion deities and pedestal decoration
1. Jambhala/Pancika
2. Hariti
3. Vasudhara
4. Companion deities
5. Pedestal decoration
XI. Stylistic analysis, Brahmanical parallels and religious syncretism/animosity
1. Architectural features
2. Sculptural features
3. Brahmanical parallels, composite deities and pan-Indian concepts
4. Religious syncretism
5. Sectarian bias:adopted deities in a subordinate role
6. Sectarian animosity and humiliation
7. Erotic motifs
Vol. II. Plates
ISBN8170173752
Hits637
Created date2002.01.09



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