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Saving the Soul in Red China: Music and Ideology in the Gongde Ritual of Merit in Fujian
Author Tan, Hwee-San (著)
Source British Journal of Ethnomusicology
Volumev.11 n.1
Date2002
Pages119 - 140
PublisherBritish Forum for Ethnomusicology
Publisher Url http://www.bfe.org.uk
LocationMilton Keynes, UK [米爾頓凱恩斯, 英國]
Content type期刊論文=Journal Article
Language英文=English
NoteAuthor Affiliations: Ph.D., SOAS, University London; Lecturer (2001-2002), Ethomusicology, University of Durham; Post=doctoral fellowship, Chiang Ching-kuo Foundation, Taiwan.
KeywordBuddist music
AbstractIn China, a commemorative ritual for the dead, known in Minnan (southern Fujian) as Gongde, may be performed by Buddhist, Daoist or lay ritual specialists. Commercialism and syncretism with popular beliefs over time have long since led institutional Buddhists to frown upon its performance by their own members. Since the 1980s, the government‐mandated religious reform has provided the institutional Buddhists with an opening to reinvent the Gongde tradition. This change, I argue, is due in part to state control and in part to the Buddhists ‘ redefinition of ideological orthodoxy, the basis of which lies in a Buddhist reform movement of the early twentieth century. Change in the Gongde has a definite impact on music, a fundamental component in ritual. This paper examines how political and ideological forces serve as coercive and enabling factors influencing the meanings of Gongde and its music.
Table of contentsIntroduction 119
Gongde in Fujian province 121
Traditional elements in Gongde 123
Gongde in the contemporary milieu 124
Music in Gongde 126
Musical change in Gongde 132
Political and ideological forces 133
Conclusion 138
Bibliography 139
Note on the author 140
ISSN09681221 (P)
DOIhttps://doi.org/10.1080/09681220208567331
Hits246
Created date2003.09.19
Modified date2024.09.16



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