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從敦煌吐魯番寫本看佛教信眾與寫經書法=Seeing Buddhist Believers and Scripture Calligraphy from Sutra Edition in Dunhuang and Turpan |
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| Author |
毛秋瑾 (著)=Mao, Qiu-jin (au.)
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| Source |
南京藝術學院學報 (美術與設計版)=Journal of Nanjing Arts Institute (Fine Arts & Design)
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| Volume | n.6 |
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| Date | 2009 |
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| Pages | 13 - 19 |
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| Publisher | 南京藝術學院 |
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| Publisher Url |
http://dept.njarti.cn/nyxb/
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| Location | 南京, 中國 [Nanjing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：蘇州大學藝術學院 |
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| Keyword | 敦煌=Dunhuang; 吐魯番=Turpan; 信眾=believers; 寫經=copy sutra; 書法=calligraphy |
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| Abstract | 敦煌藏經洞及新疆吐魯番發現的數以萬計的佛經寫本，絕大部分出于四世紀至十一世紀之間的寫經人之手。從有題記的寫本來看，寫經人的身份可以分為僧尼、信眾和職業寫經生三種。本文重點探討佛教信眾與寫經的關係，分析不同時代、不同身份的信眾寫經的目的，並指出由於書寫者身份的差異和書寫地點的不同，在寫經書法中呈現出的不同面貌。
Most of the thousands of Buddhist sutra found in Dunhuang's Grottoes of Buddhist Texts and Turpan in Xinjiang were from the hands of sutra copiers from 4th to 11th century. Seeing from the scriptures with notes, we know that the writers could be devided into three kinds: monks and nuns, believers and professional sutra copiers. This thesis underlines the relationship between the Buddhist believers and copying sutra, analyzes the aim of the believers in different times with different identity, and points out that because of the differences in the copiers' identities and places, the calligraphies they used look different. |
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| Table of contents | 一、南北朝時期信眾與寫經 13
二、隋朝信眾的幾組寫經 15
三、唐、五代、宋初信眾與寫經 16 |
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| ISSN | 10089675 (P); 10089675 (E) |
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| Hits | 489 |
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| Created date | 2010.06.30 |
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| Modified date | 2020.04.17 |
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