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佛畫與功德 -- 以集美博物館藏17775號絹畫為中心=Buddhist Paintings and Benefactors: Silk Painting No.17775 in the Collection of the Musee Guimet |
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| Author |
李翎 (著)=Li, Ling (au.)
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| Source |
故宮博物院院刊=Palace Museum Journal
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| Volume | n.5 |
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| Date | 2008 |
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| Pages | 130 - 143 |
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| Publisher | 紫禁城出版社 |
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| Publisher Url |
http://www.culturefc.cn/index/product.jhtml?act=index
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者任職於中國國家博物館 |
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| Keyword | 出資人=donor patron; 良工=meritorious deeds; 功德=charitable and pious deeds |
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| Abstract | 本文以法國集美博物館藏17775號絹畫為例,分析了敦煌地區歸義軍政權前後畫工創制佛教繪畫時,出資人在其中發揮的作用,以及畫工在多大程度上可以控制繪畫的題材與畫面構成等。
Using silk painting no.17775 from the collection of the Musee Guimet as an example,the author analyses works created in the Dunhuang region as a result of donations, discussing the role of the donor and the extent to which the donor could control the materials and composition of a painting. |
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| Table of contents | 引言 130
一、一幅"功德"背後的故事 131
二、分析 135
三、暫時的討論 139
四、有待解決的問題 140 |
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| ISSN | 04527402 (P); 04527402 (E) |
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| Hits | 446 |
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| Created date | 2010.08.11 |
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| Modified date | 2019.09.18 |
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