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結古寺第一世嘉南活佛編創的「曲卓」及其旋律手法=The Qu Zuo And Its Melody By Jia nan Living Lama No.1 In Jiegu Lamasery |
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| Author |
嘉雍群培 (著)=Jia-yong Qun-pei (au.)
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| Source |
黃鐘 (中國武漢音樂學院學報)=Journal of Wuhan Conservatory of Music China
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| Volume | n.1 |
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| Date | 2002 |
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| Pages | 59 - 63, 69 |
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| Publisher | 武漢音樂學院 |
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| Publisher Url |
http://www.whcm.com.cn/studypaper.asp
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| Location | 武漢, 中國 [Wuhan, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：中央民族大學藏學系、藏學研究所 |
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| Keyword | 結古寺=Jiegu Lamasery; 嘉南活佛=Jia nan Living Lama; 曲卓=Qu zuo; 嘛呢=Ma Ni |
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| Abstract | 曲卓是結古寺第一世嘉南活佛編創的宗教祭祀性民間歌舞，迄今已有近四百年的歷史。據藏文史載，曲卓音樂共有 1 80首，每一首都是不同的曲子，由於失傳今天僅能收到 31首。這些音樂雖在流傳中略有變異，但基本保存了原貌。其旋律風格獨特，不同於當地及周邊流傳的藏族音樂，同時曲卓中蘊含著玄奧的宗教哲理和佛教思想。
Qu Zuo was a kind of religion sacrifice folk music composed and edited by Jia’nan Living Lama No.1 in Jeigu Lamasery. It had nearly four hundreds years history up to now. According to the Tibet literature recordation, there were 180 pieces all together in the Qu Zuo, each one had different tune, but only 31 come down to the day. These music tunes kept the original basically, only a little differentiation in the go round. With the individual style, their melodies were quite different from the other Tibet music popular in the same area or the around ones. There was some kind of mysterious religion philosophy and Buddhism thoughts in the Qu Zuo.
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| Table of contents | 曲卓產生的文化背景 59
曲卓中的宗教思想 60
曲卓的旋律手法 61
1. 同音連珠式裝飾 61
2. 二度、三度裝飾音 61
3. 回環式的裝飾音 61
結語 63 |
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| ISSN | 10037721 (P) |
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| Hits | 503 |
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| Created date | 2011.03.17 |
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| Modified date | 2020.02.20 |
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