龍門石窟擂鼓台南洞、中洞試論=An attempt to analysis of the Southern and the Middle chambers of Leigutai Cave Longmen Grottoes

久野美樹 (著)=Kuno, Miki (au.); 李茹; 趙聲良 (譯)=Zhao, Sheng-liang (tr.)

Author

久野美樹 (著)=Kuno, Miki (au.) ; 李茹 ; 趙聲良 (譯)=Zhao, Sheng-liang (tr.)

Source

敦煌研究=Dunhuang Research

Volume

n.3 (總號=n.115)

Date

2009.06

Pages

7 - 15 +123 -127

Publisher

敦煌研究編輯部

Publisher Url

http://www.dha.ac.cn/

Location

蘭州, 中國 [Lanzhou, China]

Content type

期刊論文=Journal Article

Language

中文=Chinese

Note

作者為女子美術大學講師。

Keyword

龍門石窟; 擂鼓台南洞、中洞; 華嚴經; 梵網經; 法藏

Abstract

通過對龍門石窟造像的考察，本文認為擂鼓台南、中洞兩窟是以《華嚴經》和《梵網經》為中心的華嚴系受戒世界的產物。擂鼓台南洞，表現的是以盧舍那佛為主尊像的《華嚴經》和《梵網經》的佛理世界，當時在擂鼓台南洞曾舉行過受戒必須要進行的宗教實踐法會“好相行”。其附近的中洞與大乘戒有密切關係，中洞佛像有被武則天自稱是其形象化身的彌勒佛像以及具體體現大乘戒所注重的師資相授的祖師像。擂鼓台南洞和中洞的設計營造者是武則天的親信、華嚴宗第三祖同時也具有阿彌陀信仰的法藏。

By a careful iconographic investigation on-site,this article identification the fact that the presentations in the southern and the middle chamber of Leitai Cave are representation of ceremonial rule for confession and receive ordination of Avatamsaka,textual proof mainly based on Buddhāvatamsaka-mahāvaipulya-sūtra and Brahmajāl-sūtra.The motif of the southern chamber was a law Buddha-realm of Buddhāvatamsaka-mahāvaipulya-sūtra and Brahmajāl-sūtra,the school had worshipped Vairochana as chief image of Buddha which were just found to be presented in southern chamber,there are certain signs convinced the fact that once the site had perform Buddhist ceremonies that ceremonial rules and commandments conveying beings to salvation’a good appearance cultivation’and to serving the Buddha with offering of good signs.The contents of the middle chamber nearby has much closer relationship with the Mahayana commandments or prohibitions for Bodhisattvas and monks,in which the chief image of Buddha was Maitreya,who was believed to be announced to be empress WU Zetian’s emanation body,and the image of a patriarch,which was embodied idea of traditional dhyana.The constructive designer of the two chambers was Fa Zang(643-712),the third patriarch of the Hua-yen school,empress WU Zetian’s revered and trust Buddhist master who believes in and submits himself to Amitabha at the same time too.

Table of contents

前言 7
第一章擂鼓台南洞的形制與製作年代 7
(一) 形制
(二) 擂鼓台南洞的製作年代
第二章擂鼓台南洞像的主題 8
(一) 《華嚴經》、《梵網經》的世界
(二) 類似的造型的比較
第三章擂鼓台南洞、中洞的宗教性實踐 13
(一) 擂鼓台與好相行
(二) 受戒、好相行與擂鼓台中洞
(三) 擂鼓台南洞、中洞與法藏
結語 15

ISSN

10004106 (P)

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