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莫高窟第401窟初唐菩薩立像與《大通方廣經》=A study of the Early Tang Dynasty s wall-paintings in Cave 401 Mogao Grottoes and Sūtra on the Universal Ornament of Attaining Buddhahood |
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| Author |
趙曉星 (著)=Zhao, Xiao-xing (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.123) |
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| Date | 2010.10 |
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| Pages | 47 - 52 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為敦煌研究院文獻研究所副研究館員。
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| Keyword | 敦煌莫高窟=Mogao Grottoes at Dunhuang; 第401窟=Cave 401; 初唐=The Early Tang Dynasty; 大通方廣經=Sūtra of the Universal Ornament of Attaining Buddhahood |
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| Abstract | 莫高窟第401窟是隋代第三期洞窟,主室四壁下部與西壁正龕內初唐繪制了31身菩薩立像。作者在實地考察的基礎上,結合敦煌文獻與現存佛教文獻的記載,認為這些菩薩群像可能是根據《大通方廣經》繪制的,主要表達了懺悔的意涵。這類菩薩群像出現在隋末唐初,并對以后的壁畫題材產生了一定的影響。
Cave 401 Mogao Grottoes dating from the third phase of the Sui Dynasty.There were 31 standing Bodhisattvas were painted by the early Tang dynasty on the lower part of four walls and as screen-painting inside of the niche western side wall.Based a thoroughly investigation in-situ and references on Dunhuang Manusripts and Buddhist Sūtra,this article took for granted that these standing Bodhisattvas images were adopted from Sūtra of the Universal Ornament of Attaining Buddhahoodto expression of repentance. The illustrations to Sūtra of the Universal Ornament of Attaining Buddhahood appeared at later Sui Dynasty and the early Tang Dynasty and had great influences to the latter Dunhuang art. |
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| ISSN | 10004106 (P) |
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| Hits | 397 |
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| Created date | 2013.08.14 |
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| Modified date | 2018.05.03 |
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