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隋代菩薩立像衣著飾物=Costumes and Accessories of the Standing Bodhisattvas of the Sui Dynasty |
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Author |
八木春生=Yagi, Haruo
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李梅
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趙聲良=Zhao, Sheng-liang
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趙聲良=Zhao, Sheng-liang
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Source |
敦煌研究=Dunhuang Research
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Volume | n.1 (總號=n.131) |
Date | 2012.02 |
Pages | 1 - 10 + 125 - 129 |
Publisher | 敦煌研究編輯部 |
Publisher Url |
http://www.dha.ac.cn/
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Location | 蘭州, 中國 [Lanzhou, China] |
Content type | 期刊論文=Journal Article |
Language | 中文=Chinese |
Note | 作者為日本築波大學藝術學系教授。 |
Keyword | 隋代=Sui Dynasty; 菩薩像裝飾=Decoration of the Bodhisattva images; 西安=Xi an; 山東=Shandong |
Abstract | 本文所述的隋代菩薩造像,分布于華北各地,衣飾繁復華麗,通體遍飾瓔珞以及其他垂飾;其中也存在地區差異,如原北齊與北周領地的瓔珞就有區別。隋朝前期出現新形式的菩薩造像,雖不能稱為統一樣式,但已存在統一跡象。本文以原北齊、北周領地為考察范圍,概觀各地區隋代前期菩薩造像,闡述各個地區的特征,由此分析華北地區東西造像的差異及其相互影響關系,進而論述通體遍飾瓔珞菩薩造像出現的時代背景。
This paper addresses the standing bodhisattvas of the Sui Dynasty,which are found everywhere in northern China,clad in beautiful costumes with various accessories.Nevertheless,regional differences also can be seen among them.For example,the jade-like stone accessories of the Northern Qi are different from those of the Northern Zhou.The Bodhisattva images newly appeared in Early Sui Dynasty exhibited a uniform trend though they could not be regarded as a uniform style.Focusing on the regions of the Northern Qi and Northern Zhou,this paper expounds the regional characteristics of the standing bodhisattvas of early Sui dynasty,analyzes the difference and relationship between the images in east and west regions of northern China,and then discusses the historical background for the creation of Bodhisattvas with accessories all over the body. |
Table of contents | 一、序 2 二、西安隋代菩薩造像 2 三、西安以外華北西部地區(原北周領地)的隋代菩薩立像 3 四、山東地區 |
ISSN | 10004106 (P) |
Categories | 雕塑造像 |
Dynasty | 隋代 |
Regions | 山東(諸城,青州,濟南); 陝西(西安); 甘肅(敦煌莫高窟,天水麥積山石窟) |
Hits | 462 |
Created date | 2013.08.26 |
Modified date | 2018.05.15 |
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