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The bibliographic record is provided by 李玉珉老師.
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敦煌莫高窟第220窟南壁西方凈土變相圖=About the Western Pure Land Illustration on the South Wall in the Mogao Cave 220 at Dunhuang |
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| Author |
八木春生 (著)=Haruo, Yagi (au.)
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李梅 (譯)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.135) |
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| Date | 2012.10 |
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| Pages | 9 - 15 + 125 - 129 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為日本築波大學藝術學系教授。 |
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| Keyword | 莫高窟=Mogao Grottoes; 初唐=Early Tang; 西方凈土變=Illustration of Western Pure Land |
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| Abstract | 敦煌莫高窟第220窟是初唐時期的代表窟,有貞觀十六年題記,而且窟中出現了占滿整壁的大畫面經變畫,因此,引起了很多研究者的注目。可是,迄今為止的研究大多是關于南壁西方凈土變相與《觀無量壽經》之間的關系。本文則著重討論唐代以后的安定期,人們對凈土往生的認識產生大的變化,完全擺脫了隋代佛教美術的影響而進入了新的階段,是第220窟特別是南壁的西方凈土變相出現的依據。
As one of the representative caves of the Early Tang period at the Mogao Grottoes,Cave 220 has an inscription dating to the 16th year of the Zhenguan era as well as large-sized sutra illustrations that cover the entire walls,hence this cave has attracted wide attention.However,most research thus far is about the relationship between the Western Pure Land illustration on the south wall and the Amitayus Sutra.This paper mainly addresses how in the peaceful Later Tang period people’s opinions about Pure Land changed greatly,thus a new style of Buddhist art was created,completely free from the Sui Dynasty Buddhist art influence,as verified by cave 220 and especially the Western Pure Land illustration on the south wall of this cave. |
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| Table of contents | 序 9
一、南壁西方淨土變相圖 10
二、敦煌莫高窟中第220窟之前的淨土圖 12
三、第220窟南壁西方淨土變相圖的形成過程
四、結語 |
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| ISSN | 10004106 (P) |
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| Categories | 石窟; 佛教圖像; 繪畫 |
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| Dynasty | 唐代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 493 |
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| Created date | 2013.08.28 |
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| Modified date | 2022.03.17 |
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