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佛足跡圖像的傳播與信仰(上) -- 以印度與中國為中心=The Spread and Religion of Buddha's Footprint Image (I): with Focuses on India and China |
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李靜杰=Li, Jing-jie
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| Source |
故宮博物院院刊=Palace Museum Journal
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| Volume | n.4 |
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| Date | 2011 |
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| Pages | 6 - 35 + 160 |
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| Publisher | 紫禁城出版社 |
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| Publisher Url |
http://www.culturefc.cn/index/product.jhtml?act=index
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：清華大學美術學 |
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| Keyword | 佛足跡圖像=Buddha’s footprint image; 佛足跡石=Buddha’s footprint stone; 佛足跡碑=Buddha’s footprint stele; 玄奘=Xuanzang; 王玄策=Wang Xuance |
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| Abstract | 佛足跡圖像及其信仰,中古以來廣泛波及亞洲佛教流行地區,寄托著人們思念佛陀和希冀佛教繁榮的情懷,生動地反映了當時的文化交流與融合情況。佛足跡圖像創始于紀元前后中印度佛陀象征性表現,2-4世紀脫胎于佛陀象征性表現的佛足跡石出現并流行開來,在西北印度和東南印度形成兩個各具特征的圖像系統。其后,印度佛足跡圖像經歷了緩慢的發展過程,一直持續到12世紀。中國漢文化地區的佛足跡圖像,自7世紀中葉玄奘、王玄策帶回中印度粉本之后發展起來,從關中周圍擴展到四川盆地和東南沿海。明代漢傳佛教寺院佛足跡碑圖像流行,佛足跡圖像中國化過程最終完成。祈求佛教興旺和永恒,始終是佛足跡圖像的主題,在后世發展中又增加了護法、消災和超度亡靈等內涵。
The spread and religion of the Buddha’s footprint image has been significant among the Asian areas where Buddhism is popular ever since medieval period, which projects the local people’s longing for the Buddhists and praying for the prosperity of the Buddhism, and clearly reflects the interaction and integration of the cultures of that time. The Buddha’s Footprint image was initiated around the era which symbolized the Buddha’s image in the center of India. Then in the 2nd to 4th centuries, the symbol of Buddha’s image started to appear on the stones called "Buddha’s footprint stone" and gained popularity. There were two separated image systems with their own characteristics formed in the Northwest India and the Southeast India as a result. Later on, the India Buddha’s Footprint image underwent a gradual and continuous development till 12th century. On the other hand, the Buddha’s footprint image came to spread in the regions of Chinese Han culture from Guanzhong of Shaanxi province to Sichuan basin and Southeastern coasts after Xuanzang and Wang Xuance brought back the draft of the image from the central India in the mid-7th century. By Ming dynasty, the Buddha’s Footprint steles were everywhere in Chinese Buddhist temples, which marked the end of sinicization of the Buddha’s footprint image in China. The theme of the Buddha’s footprint image has always been about hoping prosperity and eternity of Buddhism, other connotations like protecting Buddhist doctrine, removing ill fortune and releasing the souls of the dead were added in the development afterward, which implied that people’s thought was changed from worshipping Buddha to praying for prosperity of Buddhism. |
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| Table of contents | 一、印度佛足跡圖像及其信仰 7
(一)紀元前後佛陀象徵性表現階段的佛足跡圖像 8
(二)2-7世紀佛像流行期的佛足跡圖像 12
(三)8-12世紀的佛足跡圖像 28
(四)佛足跡圖像向斯里蘭卡與東南亞的傳播 31
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| ISSN | 04527402 (P); 04527402 (E) |
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| Hits | 442 |
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| Created date | 2013.10.17 |
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| Modified date | 2019.09.19 |
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