|
|
|
 |
|
|
|
|
|
|
再談敦煌壁畫臨摹=Re-examining the Copying of Dunhuang Wall Paintings |
|
|
|
| Author |
李其瓊
|
|---|
| Source |
敦煌研究=Dunhuang Research
|
|---|
| Volume | n.3 (總號=n.139) |
|---|
| Date | 2013.06 |
|---|
| Pages | 22 - 27 |
|---|
| Publisher | 敦煌研究編輯部 |
|---|
| Publisher Url |
http://www.dha.ac.cn/
|
|---|
| Location | 蘭州, 中國 [Lanzhou, China] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 中文=Chinese |
|---|
| Note | 作者為敦煌研究院副研究員。 |
|---|
| Keyword | 敦煌壁畫臨摹=Copying of Dunhuang wall painting; 國立敦煌藝術研究所階段=Period of Dunhuang Art Research Institute; 敦煌文物研究所階段=Period of Research Institute of Dunhuang Cultural Relics; 敦煌研究院階段=Period of Dunhuang Academy（Translated by WANG Pingxian） |
|---|
| Abstract | 敦煌壁畫臨摹工作早就開始了。有序的敦煌壁畫臨摹工作從國立敦煌藝術研究所開始,到今日的敦煌研究院已有近七十年從不間斷的壁畫臨摹歷史,六十余年間歷經國立敦煌藝術研究所、敦煌文物研究所、敦煌研究院三次命名,反映了不同歷史時期人們對敦煌壁畫臨摹工作的認識和要求,是有鮮明區別的,敦煌的臨摹工作始終沿著目標明確的道路前進。
Copying of Dunhuang wall paintings began very early. Systematic copying of Dunhuang wall paintings, which began after the inception of the Dunhuang Art Research Institute, has been carried on for
nearly seventy years. In this period, The Dunhuang Art Research Institute was first named the Research Institute of Dunhuang Cultural Relics, and then named Dunhuang Academy. Our understanding of and requirements for copying Dunhuang murals in these three periods are very different, and this has kept this undertaking going forward with a well-targeted goal. |
|---|
| Table of contents | 一、國立敦煌藝術研究所（1944—1949） 23
二、敦煌文物研究所（1950—1984） 24
三、敦煌研究院（1984年— ） 26
|
|---|
| ISSN | 10004106 (P) |
|---|
| Hits | 281 |
|---|
| Created date | 2014.03.21 |
|---|
| Modified date | 2018.05.21 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|
