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Aśvaghosa's Saundarananda IV–VI: A Study in the Poetic Structure of Buddhist Kāvya |
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| Author |
Salomon, R.
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| Source |
Indo-Iranian Journal
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| Volume | v.52 n.2-3 |
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| Date | 2009.06-09 |
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| Pages | 179 - 196 |
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| Publisher | Brill |
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| Publisher Url |
http://www.brill.com/
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| Location | Leiden, the Netherlands [萊登, 荷蘭] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Keyword | SANSKRIT LITERATURE; SAUNDARANANDA; MAHAKAVYA; ASVAGHOSA; KAVYA; BUDDHIST LITERATURE |
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| Abstract | A careful reading of the Buddhist epic Saundarananda shows that the poet Aśvaghosa strategically repeated and manipulated key words, phrases, and images from the love scene in sarga IV in the scene of Sundarī's despair in sarga VI. The earlier images of love and pleasure are transformed into symbols of despair and misery, illustrating the fundamental Buddhist principles of suffering and impermanence. |
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| Table of contents | Introduction 179
Saundarananda IV and VI: Selected Parallels 181
Some Further Instances of Aévaghosa's Rhetorical Strategies 187
Conclusion: Hie Strategies of a Buddhist kavya 189
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| ISSN | 00197246 (P); 15728536 (E) |
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| Hits | 332 |
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| Created date | 2015.01.27 |
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| Modified date | 2019.12.09 |
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