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Two Internal Pediment Scenes from Banteay Chhmar |
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Author |
Green, Phillip Scott Ellis
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Source |
Udaya: Journal of Khmer Studies
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Volume | v.11 |
Date | 2013 |
Publisher | Yosothor |
Publisher Url |
http://yosothor.org/
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Location | Cambodia [柬埔寨] |
Content type | 期刊論文=Journal Article |
Language | 英文=English; 法文=French; 高棉文=Khmer |
Note | Phillip Scott Ellis Green, university of Florida |
Abstract | សង្ខេប
ហោជាងខាងក្នុងពីរនៅបន្ទាយឆ្មារ
ក្នុងអត្ថបទនេះ ខ្ញុំស្នើធ្វើការបកស្រាយមួយបែបទៀតលើឈុតពីរ ឆ្លាក់នៅលើហោជាងខាងក្នុងពីរកន្លែង នៃប្រាសាទបន្ទាយឆ្មារ ដែលស្ថិតនៅតំបន់ពាយព្យនៃប្រទេសកម្ពុជា ហើយដែលសាងនៅរាជ្យព្រះបាទជ័យវរ្ម័ន ទី៧ (១១៨២ - រវាង១២១៨)។ ហោជាងទាំងពីរនោះស្ថិតនៅលើច្រកដើរថែវរាងខ្វែងជើងក្អែកនៃអាគារម្យ៉ាង ដែលគេនិយមហៅថា "សាលស្រីរាំ"។ មួយបែរទៅខាងត្បូង ឯមួយទៀតបែរទៅខាងជើង។ ខ្ញុំបង្ហាញថាហោជាង ដែលបែរទៅត្បូងស្រង់ពីរឿងរាមកេរ្ថិ៍ ត្រង់ឈុតដែលព្រះរាមសម្លាប់ ឝម្ពូកា ដោយកាត់កនឹងដាវ។ នៅហោជាង ដែលបែរទៅជើងវិញ ក៏ជាសម្រង់រឿងរាមកេរ្តិ៍ដែរ ព្រោះតួអង្គសំខាន់នោះប្រហែលជាក្រុង រាពណ៍ ដែលមាន អនុភាពខ្លាំក្លា។
Two Internal Pediment Scenes from Banteay Chhmar
This paper provides alternative identifications for two internal pediment scenes at the temple complex of Banteay Chhmar which is located in northwest Cambodia, and dates to the reign of Jayavarman VII (1182-c.1218). The two internal pediments in question are both located above the southern doorway of the cruciform gallery located within the structure commonly referred to as the “Salle aux Danseuses.” One pediment faces south; the other pediment faces north. I argue that the south-facing internal pediment depicts a narrative from the Rāmāyaṇa epic in which Rāma slays the śūdra Śambūka by decapitating him with a sword. As for the north-facing internal pediment, I demonstrate that the scene likely depicts another figure from the Rāmāyaṇa–the mighty Rāvaṇa.
Deux frontons intérieurs à scènes de Banteay Chhmar
Cet article propose des identifications alternatives de deux scènes figurées sur deux frontons intérieurs du temple de Banteay Chhmar situé au nord-est du Cambodge, qui date du règne de Jayavarman VII (1182-c. 1218). Les deux frontons en question se trouvent tous deux au-dessus de la chaussée de la galerie cruciforme située à l’intérieur d’un bâtiment communément appelé « Salle aux Danseuses ». Un des frontons fait face au sud, l’autre au nord. Je soutiendrai que celui regardant le sud représente une scène du Râmâyana, où Râma met à mort le sudra Sambuka, le décapitant d’un coup d’épée. Pour le fronton regardant le nord, je démontrerai que la scène dépeint probablement le puissant Râvana, l’autre figure du Râmâyana. |
Table of contents | location 100 BC.80, southern doorway of cruciform gallery, north face 101 siva and the trimurti 105 an unknown bodhisattva 107 hevajra 108 eastern doorway 108 northern doorway 109 southern doorway 110 the mighty ravana 116 BC.80, southern doorway of cruciform gallery, south face 125 the slaying of sisupala 126 the slaying of sambuka 127 conclusion 130 appendix one 134 works cited 135 abstract 138 resume 138 |
Hits | 182 |
Created date | 2015.11.19 |
Modified date | 2020.05.08 |
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