The bibliographic record is provided by 中華民國佛教華嚴學會=Huayen World Community.
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大寂光殿佛壇佛畫配置形式之考察 -- 以海印寺、金山寺為例=An Observation of the Distribution and Formation of the Daejeokgwangjeon Hall Hubultaeng(後佛幀): Using Examples from the Haeinsa and the Geumsansa Temples |
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Author |
陳明華 (著)=Chen, Ming-hua (au.)
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Source |
華嚴學報=Journal of Huayen Buddhism
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Volume | n.7 |
Date | 2014.05 |
Pages | 241 - 276 |
Publisher | 中華民國佛教華嚴學會 |
Publisher Url |
https://www.huayenworld.org/
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Location | 新北市, 臺灣 [New Taipei City, Taiwan] |
Content type | 期刊論文=Journal Article |
Language | 中文=Chinese |
Keyword | 大寂光殿=Daejeokgwangjeon hall; 佛畫=Buddha painting; 三身佛=Trikaya Buddha; 毘盧遮那佛五佛= five wisdom tathāgatas; 毘盧遮那佛=Vairocana Buddhas; 盧舍那佛=Locana Buddha; 釋迦牟尼佛=Śākyamuni; 阿彌陀佛=Amitābhah; 藥師佛=Bhaisajyaguru |
Abstract | 本文主要探討朝鮮後期大寂光殿佛壇佛畫的配置形式。以華嚴宗寺院海印寺法身佛(三身佛)和金山寺毘盧遮那佛五佛的形式為例,探討〈三身佛幀畫〉、〈五佛幀畫〉圖象的表現內容,以及依華嚴義理所呈現的象 徵義涵。經考察得知朝鮮後期大寂光殿佛壇的配置,雖以法身論思想為傳統,但亦見含攝彌勒、彌陀等其他宗派信仰來表現華嚴十方三世的法界觀。 |
ISSN | 22226685 (P) |
Hits | 339 |
Created date | 2016.04.25 |
Modified date | 2022.12.08 |
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