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婆藪仙與鹿頭梵志=The Images of Vasistha and Mrgasirsa
Author 王惠民
Source 敦煌研究=Dunhuang Research
Volumen.2 (總號=n.72)
Pages64 - 70
Publisher Url
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Keyword婆藪仙; 鹿頭梵志; 外道
Abstract北朝至初唐的中國佛教造像 ,一度流行婆藪仙、鹿頭梵志圖像 ,現存的造像碑、金銅像和若干石窟中都可以見到。敦煌壁畫中的婆藪仙、鹿頭梵志圖像是在北魏、西魏、北周、隋、初唐時期 ,共 2 9組 ,本文通過考察 ,將它們分為三個發展階段 ,并考證其經典依據和分析其所體現的佛教教義。

Among the creative Buddhas’ images in Chinese Buddhism, the image of Vasistha and Mrgasirsa were the images once popular from person to person during Northern Dynasties to the Early Tang Period. It is not strange to find the two images in some existent Buddhist steles?sculptures in copper and in several sites of Buddhist Temple Caves. At Mogao Grottoes, from caves dated from Northern Wei?Western Wei?Northern Zhou?Sui and the Early Tang Dynasty, there are 29 portraits of them appeared in a pairs. By a comprehensive investigation, the study of the two images shows there are three phrases of development of the image of Vasistha and Mrgasirsa. This article tries to verify textual basis and approach to a point of what Buddhist religion dogma embodied in the two images.
ISSN10004106 (P)
Created date2016.05.12
Modified date2018.02.07

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