The bibliographic record is provided by 李玉珉老師.
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從《祇園精舍圖》到《勞度叉鬥聖變》的主題轉變與佛道之爭=Changes of Themes of Raudraksa’s Battle with Sariputra and Argument between Buddhism and Taoism |
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| Author |
殷光明
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.2 (總號=n.68) |
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| Date | 2001.05 |
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| Pages | 4 - 13 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 祇園精舍圖; 勞度叉經變; 變相; 祇園精舍圖 |
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| Abstract | 《勞度叉斗圣變》是敦煌藝術中的主要題材之一。本文認為隨著印度佛教藝術中國化的進程，這一題材經歷了一個從印度的《祇園精舍圖》到中國的《勞度叉斗圣變》的主題轉變過程，它的出現、發展到成熟應與中國歷史上的佛道之爭有關。
Illustration of Raudraksa’s battle with Sariputra is one of the main themes in Dunhuang arts. The paper deals with this theme, and considers that the change of illustrations of Raudraksa’s battle with Sariputra in China went through a long course. It shows that after Buddhist arts from Southern Asia, mainly India was spread into China, Chinese artists had changed them according to Chinese cultural tradition. It can be said that the changing course is interrelated with the argument between Buddhism and Taoism. |
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| ISSN | 10004106 (P) |
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| Categories | 石窟; 繪畫 |
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| Dynasty | 唐代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 680 |
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| Created date | 2016.05.12 |
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| Modified date | 2018.02.05 |
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