榆林窟第3窟壁畫中的亭、草堂、園石=The Elaborate Chinese Architecture of Pavilion, Garden House And Stone in Cave 3 of The Yulin Grottoes

趙聲良

Author

趙聲良

Source

敦煌研究=Dunhuang Research

Volume

n.1 (總號=n.83)

Date

2004.02

Pages

7 - 19

Publisher

敦煌研究編輯部

Publisher Url

http://www.dha.ac.cn/

Location

蘭州, 中國 [Lanzhou, China]

Content type

期刊論文=Journal Article

Language

中文=Chinese

Keyword

榆林窟; 園石; 草堂; 亭

Abstract

本文調查分析了榆林窟第3窟山水風景中所描繪的亭、草堂、園石。1.調查了古典文學作品中與亭、草堂、園石相關聯的作品,分析其在古代文人生活中的作用。2.通過對中國古代園林藝術的調查,分析亭、草堂和園石在唐宋以來文人園林或別墅中的作用。3.通過對唐宋時代繪畫作品的調查,可知對亭、草堂、園石的描繪已成為山水畫中流行的點景。基于這些調查分析指出亭、草堂、園石正是充滿了文人意識的一種符號,壁畫中這些符號反映出中國傳統的文人思想。

This article is trying to catalogue all different styled pavilion, garden house of straw and the gardening stone which has painted as an important sightseeing part among the scenery of landscape that was served as the background of the large illustration to Buddhist sutra on the wall of cave 3 at the Yulin Grottoes, based on a large scaled investigation and study on the site. This article then put forwards the three topics to discussing with: 1. By the study of the classic literary works especially these ones which have been describing pavilions, the garden houses of straw and the gardening stone,therefore go forth to analysis their concrete function in the literary man’s life or to seek for the reason why these concrete objects to be chosen as subjection to be grasp with admiration and to praise with. 2. By the investigation on the works of ancient Chinese gardening art and then to study the function of these pavilions, the garden house of straw and gardening stone in the literary man’s garden and their country house or a villa since the living style has been popular among the literary man during the Tang Dynasty to the Song Dynasty. 3. By investigation on the works of paintings of the Tang and the Song Dynasty, it was turned out that the drawing of pavilion, the garden house of straw and the gardening stone had been a fashionable current during the Tang and the Song Dynasty as a Hotpoint in the literary man’s painting. Based on these investigations and the study, this article pointed out that by the-time of the Tang and the Song Dynasty, the drawing of pavilion, garden house of straw and the gardening stone has become a significant phenomenon that was served as the symbol of traditional Chinese literary man’s mind and signify their mental life.

ISSN

10004106 (P)

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