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敦煌與阿姆河流派造像美術比較研究
Author 劉波
Source 敦煌研究=Dunhuang Research
Volumen.2 (總號=n.60)
Date1999.05
Pages31 - 38
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Keyword敦煌; 比較; 造像美術; 阿姆河流派
Abstract由日本學者口隆康提出的“阿姆河流派”造像美術,存在于西域以西至印度河上游犍陀羅地區的中間地帶,屬佛教美術東傳中失落的環節,對敦煌造像美術的影響是顯而易見的,其中“交腳式造像”、“施無畏手印”、“倚坐像”等,表明阿姆河流派對敦煌佛教藝術的影響。
ISSN10004106 (P)
Categories數位化
Dynasty南北朝-北朝-北周
Regions甘肅(敦煌莫高窟); 中亞(不詳)
Hits153
Created date2016.05.12
Modified date2018.02.01



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