The bibliographic record is provided by 李玉珉老師.
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敦煌版畫的背景意義=The Significance Background of A Study of Dunhuang Print Plate Matters |
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| Author |
馬德
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.2 (總號=n.90) |
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| Date | 2005.04 |
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| Pages | 1 - 6 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 版畫; 敦煌版畫; 佛教藝術; 社會背景 |
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| Abstract | 敦煌出土的佛教版畫表現了佛教信仰的一種新方式,它與敦煌石窟藝術一脈相承,是敦煌藝術的組成部分之一,是科學技術與佛教藝術相結合的產物,在中國美術史和中國印刷科技史上都有十分重要的價值意義。
These Buddhist paintings of print plate matters which are unearthed from The Hidden Library of Dunhuang at the site of Mogao Grottoes is a type of new way in presentation of the Buddhist belief. The Motif of these Dunhuang Print Plate Matters are as same as the Dunhuang Grottoes Art and they are served as an important part of Dunhuang Art. The art of Dunhuang Print Plate matters are outcomes of technical skill compiled well along with Buddhist Art in ancient Chinese art history. It has significant and great value in the study of Chinese Art history as well as the history of Chinese science and technography in the typography. |
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| ISSN | 10004106 (P) |
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| Dynasty | 宋代 |
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| Regions | 甘肅(敦煌) |
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| Hits | 177 |
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| Created date | 2016.05.12 |
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| Modified date | 2018.03.20 |
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