The bibliographic record is provided by 李玉珉老師.
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論敦煌莫高窟第220窟維摩詰情感的藝術表現=Artistic Expressive Force of Weimojie’s Emotion in Cave 220 in Mogao Grottoes, Dunhuang |
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| Author |
胡朝陽 (著)=Hu, Chao-yang (au.)
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| Source |
西華大學學報(哲學社會科學版)=Journal of Xihua University(Philosophy & Social Sciences)
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| Volume | n.2 |
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| Date | 2004.04 |
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| Pages | 73 - 76 |
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| Publisher | 西華大學 |
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| Publisher Url |
http://202.115.144.29:8080
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| Location | 成都, 中國 [Chengdu, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：重慶師範大學學前教育與藝術學院 |
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| Keyword | 敦煌=Dunhuang; 第220窟維摩詰=Weimojie in Cave 220; 情感=emotion; 藝術表現=artistic expressive force |
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| Abstract | 本文從藝術心理學角度，對敦煌莫高窟第220窟東壁南側壁畫中的維摩詰的情感表現進行了深入分析，探討自然情感表現與藝術表現雖然有著相近的地方，但從自然表現到藝術表現，仍然有相當一段距離。莫高窟第220窟東壁南的維摩詰情感顯然不是自然情感表現，而是敦煌莫高窟畫師的一種藝術創作的表現形式 。
Weimojie is the sculpture on the southeast of Cave 220 Mogao Grottoes in Dunhuang Stone Caving. The paper tries to explore Weimojie's emotion from artistic psychological perspective. In the paper, the author finds that the expressive force of human feelings and arts share certain common points, but some differences still remain. Weimojie's emotion in Cave 220 is obviously not natural human emotion, but a kind of artistic form of Mogao Grottoes. |
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| ISSN | 16728505 (P) |
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| Categories | 石窟; 繪畫 |
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| Dynasty | 唐代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 134 |
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| Created date | 2016.05.12 |
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| Modified date | 2020.03.11 |
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