The bibliographic record is provided by 李玉珉老師.
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集安長川一號高句麗墓佛教壁畫研究=Research on No.1 the Buddha Fresco Tomb of Kao-kou-Li in Changchuan, Jian |
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| Author |
溫玉成 (著)=Wen, Yu-cheng (au.)
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| Source |
北方文物=Northern Cultural Relics
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| Volume | n.2 (總號=n.66) |
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| Date | 2001 |
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| Pages | 32 - 38, 70 |
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| Publisher | 北方文物雜誌社 |
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| Location | 哈爾濱, 中國 [Harbin, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：河南省龍門石窟研究所 |
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| Keyword | 高句麗; 佛教壁畫; 5世紀初 |
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| Abstract | 本文詳盡分析了吉林省集安長川一號大型高句麗封上壁畫墓的壁畫布局及內容，用佛教考古學的方法研究了它的文化內涵及年代，論證該墓年代約在公元４００～４３０年之際，很可能是遷都平壤（４２７年）前之作。從而得知，它是中國內地最早的佛教壁畫之一，僅略晚于甘肅炳靈寺１６９窟壁畫，而早于敦煌早期壁畫（北涼晚期）。
This paper analyses the structure and content of the painting unearthed from the Buddha Fresco Tomb of Kao-kou-Li in Changchuan, Jian. By buddha archaeology method, the author comes to some conclusions: The tomb may be dated to 400-430AD, and its painting was finished in 427AD, before the capital was moved to Pyongyang(平壤). The painting mentioned above may be one of the earliest buddha fresco in China. It was somewhat later than No.169 Cave Painting of Bingling Temple(炳靈寺) and earlier than the original Dunhuang(敦煌) Frescoes. |
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| Table of contents | 一、長川一號墓佛教壁畫的布局 32
二、長川一號墓佛教壁畫年代分析 35
1.設色用筆 35
2.佛像 35
3.飛天 36
4.蓮花化生童子 36
5.八大供養天人 36
1.花蔓冠 36
2.纓絡 36
3.外八字腳的立姿 37
三、關於佛教傳入高句麗的歷史 37 |
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| ISSN | 10010483 (P) |
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| Categories | 繪畫 |
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| Dynasty | 南北朝-北朝 |
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| Regions | 吉林(吉林集安); 韓國(不詳) |
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| Hits | 174 |
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| Created date | 2016.05.12 |
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| Modified date | 2020.03.09 |
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