The bibliographic record is provided by 李玉珉老師.
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曇曜五窟と『法華経』=the Lotus Sutra and the Five Grottoes of Tun-gang, Caves 16-20 |
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| Author |
小山満 (著)=Koyama, Mitsuru (au.)
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| Source |
創大アジア研究=Journal of the Asia Studies of Soka University=ソウダイ アジア ケンキュウ=Sodai Asia Kenkyu
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| Volume | v.20 |
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| Date | 1999.03.01 |
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| Pages | 22 - 35 |
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| Publisher | 創価大学アジア研究所=ソウカ ダイガク アジア ケンキュウジョ |
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| Publisher Url |
http://www.soka.ac.jp/
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| Location | 八王子, 日本 [Hachioji, Japan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 日文=Japanese |
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| Keyword | 曇曜五窟; 法華經 |
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| Abstract | This paper presents an interpretation of the origin of each of the fire of the five great Buddhas in the Yun-gang grottoes situated in Shan-xi Province in China.
The grottoes (cave 16-20) are usually known as the Five grottoes of Tan-yao. In each grotto we can find the same relief of Prabhutaratna (Jap.Taho) and Shakyamuni Buddhas, also known as the two "Thus Come Ones", who are seated in the niche of the Tower of Seven Treasures. This is described in chapter 11 of the Lotus Sutra, "Emergence of the Treasure Tower".
It can therefore be assumed that there is a connection between the five grottoes and the Lotus Sutra and the features which can be found in each cave will be described in turn. |
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| Table of contents | I はじめに 22
II 『 法 華 経 』の二仏並坐 22
III 各窟の検討 24
1. 第16窟 24
2. 第17窟 25
3. 第18窟 26
4. 第19窟 29
5. 第20窟 30
IV むすび 31
【注】 32
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| ISSN | 03887030 (P) |
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| Categories | 佛教-思想; 石窟; 佛教圖像; 雕塑造像 |
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| Dynasty | 南北朝-北朝-北魏 |
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| Regions | 山西(大同雲岡石窟) |
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| Hits | 165 |
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| Created date | 2016.05.12 |
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| Modified date | 2020.06.09 |
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