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The bibliographic record is provided by 李玉珉老師.
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莫高窟第322窟圖像的胡風因素─兼談洞窟功德主的粟特九姓胡人屬性 |
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| Author |
沙武田
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| Source |
故宮博物院院刊=Palace Museum Journal
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| Volume | n.3 |
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| Date | 2011 |
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| Pages | 71 - 96 |
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| Publisher | 紫禁城出版社 |
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| Publisher Url |
http://www.culturefc.cn/index/product.jhtml?act=index
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 莫高窟第322窟=Cave 322 Dunhuang Grottoes; 粟特九姓胡人=Sogdian; 粟特美術=Sogdian art; 洞窟功德主=benefactor to the cave |
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| Abstract | 敦煌莫高窟第322窟是初唐時期的代表洞窟,保存完好。本文從已有研究的手執綿羊、山羊的人非人圖像入手,結合洞窟營建的歷史背景加以考察,分析了龕內彩塑造像的胡貌特征及其"原創性"意義。同時,作者結合對窟內包括葡萄紋樣在內的中亞西域特征裝飾藝術、部分反映東傳粟特美術特征的畫樣與圖像的研究,揭示出洞窟圖像受粟特美術影響的特征。此外,本文還結合供養人畫像與工匠題名反映出的粟特人屬性,指出該洞窟功德主有可能是流寓敦煌的中亞粟特九姓胡人。
The well-preserved frescos of Cave 322 Mogao Grottoes play as the representative of the early Tang dynasty. This paper demonstrates the Sogdian characteristics and "originality"of the colored images inside the shrines by examining the figures holding a sheep or a goat, and the history circumstance under which the cave was established as well. Besides, it conducts a research of the decorative art as for the patterns with design of grapes that are featured by the western regions of Central Asia, the drafts and figures that are partly characterized by Sogdian art to make clear that the frescos of the cave are affected by the Sigdian art. Lastly the paper concludes that the benefactors to the cave are likely to be the Centrtal Asian Sigdian who were stranded and inhabited in Dunhuang judging from the features shown in the donors’ portraits and craftsmen’s inscriptions. |
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| Table of contents | 一、洞窟兩身"人非人"圖像再說 73
二、洞窟营建的时代背景 80
三、龕內彩塑像的胡貌特徵及其"原創性"意義 83
四、中亞西域裝飾藝術之關係 89
五、與供養人畫像與工匠題名反映出的粟特屬性 92
結語 96 |
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| ISSN | 04527402 (P); 04527402 (E) |
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| Categories | 石窟; 佛教圖像; 雕塑造像; 繪畫 |
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| Dynasty | 唐代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 404 |
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| Created date | 2016.05.12 |
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| Modified date | 2019.09.20 |
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