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敦煌石窟摩利支天曼荼羅圖像解說=Interpreting the Images of the Marīcī Mandala in Dunhuang Caves
Author 劉永增
Source 敦煌研究=Dunhuang Research
Volumen.5 (總號=n.141)
Pages1 - 11
Publisher Url
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Keyword摩利支天=Marīci Devī; 成就法鬘; 天息災
Abstract 敦煌石窟中的摩利支天曼荼羅及其造像共有三例,即榆林窟第3窟北壁東側、東千佛洞第5窟、莫高窟第3窟主尊造像。這些壁畫或塑像是根據宋代天息災譯《佛說大摩里支菩薩經》繪制的,與公元9—10世紀印度后期密教的圖像及其儀軌在印度的流行有著深刻的關系。研究結果表明,宋代天息災等印度高僧在中原弘傳密教翻譯密典,不但給予中原的宋代密教以直接的影響,而且還對西夏時代的敦煌佛教產生了深遠的影響。

There are three examples of the Marīcī Mandala:one on the east side of the north wall in Yulin Cave 3,one in cave 5 at the Eastern Thousand-Buddha Grottoes,and one in Mogao cave 3.These art-works were executed according to the Sutra of Great Mārīcī Bodhisattva translated by Dharmabhadra in the Song dynasty,and were supposed to be closely connected with the popularity of the ninth- to tenth-century Indian tantric images and rituals in China.As the research results indicate,Buddhist masters of India like Dharmabhadra,who were translating and spreading tantric scriptures in the Song dynasty,not only directly influenced the Esoteric Buddhism of the Central Plains in the Song dynasty,but also exerted a far-reaching influence on Buddhism in Dunhuang during the Western Xia dynasty.
ISSN10004106 (P)
Created date2016.05.12
Modified date2018.05.22

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