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論南印度阿瑪拉瓦蒂佛教造像=A Research on Buddha Image of Amarāvatī School in South India |
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| Author |
趙玲 (著)=Zhao, Ling (au.)
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| Source |
世界宗教學刊=Journal of World Religions
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| Volume | n.22 |
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| Date | 2013.12.01 |
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| Pages | 61 - 93 |
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| Publisher | 南華大學宗教學研究所 |
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| Publisher Url |
https://rel3.nhu.edu.tw/
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| Location | 嘉義縣, 臺灣 [Chia-i hsien, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為浙江大學人文學院博士後 |
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| Keyword | 阿瑪拉瓦蒂流派=Amarāvatī style; 佛像=Buddha image; 佛教藝術=Buddhist art |
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| Abstract | 安達羅時代，在印度南部出現了以阿瑪拉瓦蒂地區為中心的佛教藝術，稱作阿瑪拉瓦蒂佛教藝術流派。這一時期，它與印度西北邊陲的犍陀羅和北部的秣菟羅分別開始創制佛像，造像風格自成體系，獨具一格。阿瑪拉瓦蒂既是作為佛像起源點的三大源點之一，又可謂為笈多造像藝術的先驅之一。以往的研究長期忽略了對阿瑪拉瓦蒂流派的關注。本文基於對南印度阿瑪拉瓦蒂流派早期佛教造像的實地考察，將這一流派初期佛像的風格和發展情況進行歸納梳理，意在重估阿瑪拉瓦蒂流派在佛教藝術史上的重要性，探討該流派在印度早期佛教造像中的地位，以及對笈多黃金時代的到來起到的關鍵作用。
In Andhra Empire, it arised a Buddhist art school in south India. It was called Amarāvatī school which was named after Amarāvatī district. During this period, Amarāvatī school, together with Gandharan and Mathura began to create Buddha image respectively, and developed their own sculpture system. Not only was Amarāvatī one of the schools of Buddha origination, but it also was one of the pioneers of Buddha image in Gupta period. Unfortunately, Amarāvatī school attracted little interesting in former Buddhist art studies. This article based on the observations on the spot of Amarāvatī site, summed up several development stages in Buddha image making in Amarāvatī. And finally, I would like to reassess the importance of Amarāvatī school in ancient Buddhist art, and discuss the position of Amarāvatī in the origin of Buddha image, as well as the great influence to Gupa's Golden Art. |
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| Table of contents | 一、前言 62
二、以往的研究情況 63
三、阿瑪拉瓦蒂佛陀的基本樣貌 66
(一)袒右肩坐像 66
(二)通肩坐像 68
(三)通肩立像 68
(四)袒右肩立像 69
四、阿瑪拉瓦蒂與犍陀羅和秣菟羅的關係 71
(一)阿瑪拉瓦蒂佛像與秣菟羅的聯繫 72
(二)阿瑪拉瓦蒂佛像與犍陀羅佛像的聯繫 75
五、笈多藝術的前身 77
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| ISSN | 1728645X (P) |
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| Hits | 284 |
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| Created date | 2016.10.24 |
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| Modified date | 2020.03.16 |
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