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Nishida Kitarō’s Philosophy of Body |
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| Author |
Cheung, Ching-yuen
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| Source |
Dao: A Journal of Comparative Philosophy
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| Volume | v.13 n.4 |
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| Date | 2014.12 |
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| Pages | 507 - 523 |
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| Publisher | Springer Science & Business Media B.V. |
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| Publisher Url |
http://www.springer.com/gp/
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| Location | Dordrecht, the Netherlands [多德雷赫特, 荷蘭] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Note | Ching-yuen Cheung, Department of Japanese Studies, The Chinese University of Hong Kong, Shatin, Hong Kong |
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| Keyword | Nishida Kitarō = 西田幾多郎; Body; Acting intuition; Rhythm; Situatedness |
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| Abstract | In this paper, I shall discuss Nishida’s 西田 philosophy of body from the aspects of acting intuition, rhythm, and situatedness. Pure experience used to be the starting point of Nishida’s early philosophy. In his later philosophy, however, the keyword in Nishida’s philosophy is no longer “experience” but “acting.” It is neither “I think therefore I am” nor “I will therefore I am,” but “I act therefore I am.” As the organ of acting intuition, body is one of the most important philosophical concepts in Nishida’s later philosophy. I shall interpret the philosophy of acting intuition as a phenomenology of rhythm. Also, I shall argue that acting intuition can be understood as a situated action. For Nishida, our body is historical: I am not a knowing body, but an acting body. |
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| Table of contents | 1 Introduction 507
2 Acting Intuition 508
3 Rhythm 513
4 Situatedness 516
5 Concluding Remarks 522
References 522
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| ISSN | 15403009 (P); 15697274 (E) |
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| DOI | 10.1007/s11712-014-9400-3 |
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| Hits | 151 |
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| Created date | 2017.06.07 |
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| Modified date | 2019.11.12 |
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