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上黨佛教寺院劇場研究=The research of Shangdang Buddhist Temple Theatre |
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| Author |
王潞偉 (著)
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| Source |
戲劇學刊=Taipei Theatre Journal
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| Volume | n.24 |
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| Date | 2016.07 |
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| Pages | 45 - 86 |
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| Publisher | 台北藝術大學戲劇學院 |
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| Publisher Url |
http://1www.tnua.edu.tw/~TNUA_THEATRE/ttj/super_pages.php?ID=ttj1
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| Location | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：山西師範大學戲曲文物研究所博士 |
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| Keyword | 戲場=theatre; 寺院劇場=temple theatre; 上黨=Shangdang region; 佛教=Buddhism; 演劇=drama |
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| Abstract | 佛教寺院演戲及專設劇場是中國戲曲文化研究的重要議題。本文在詳細考述東漢至隋唐漢譯佛經及漢文文獻中「戲場」的基礎上，質疑隋唐及之前「戲場」與北宋以來用於專門演出戲曲之專門「戲場」存在較大差異，此「戲場」非彼「戲場」。對佛教寺院興建專門演戲之「戲場」的緣由作了深入分析，認為佛教發展至明清兩際，少數寺廟興建了專門用於敬神獻戲的劇場建築，這不僅是單方面的中國本土民俗文化對佛教寺院的衝擊，而且也是部分佛教宗派對教規、教義的自我改革調整所導致的結果。並進一步對山西尤其對上黨地區佛教寺院進行了全面系統的考察分析，認為：上黨佛教寺院遺存數量上千座，但有專設演劇之劇場者，為數不多，且目前發現最早記錄為明後期，清康、乾時期佛教寺院專設劇場數量漸增，但亦未能使劇場在佛教寺院廣泛普及開來，大多數佛教寺院依然保持其獨立品性，與世俗的戲曲活動保持著一定的距離。
Drama performance in Buddhist temples and at specialized performance venues in the temples is an important topic in the study of Chinese opera culture. Based on research in Buddhist scripture translated into Chinese and in Chinese literature from the Eastern Han to Sui and Tang Dynasties, this paper investigates the term xichang (theatre) and argues that its meaning changed from the Sui and Tang Dynasties to the Northern Song Dynasty. This paper analyzes
the specialized performance venues built in Buddhist temples and traces their development from beginning through the Ming and Qing Dynasties. A small number of temples theatres were built, dedicated to the worship of gods. This shows that Chinese folk culture had an impact on the Buddhist temples, and that some Buddhist sects made adjustments and reforms in the Canon and the doctrine. This paper further surveys the Buddhist temples in the Shangdang region of the Shanxi Province. There remain over a thousand Buddhist temple ruins in Shangdang, but
few include a specialized theatre. The earliest records of temple theatres are from the late Ming Dynasty, and the number increases in the Kangxi and Qianlong periods in the Qing Dynasty. Even so, Buddhist temple theatres were not a common thing. Most Buddhist temples still maintained their independent character, and stayed distanced from secular drama activities. |
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| Table of contents | 中文摘要 45
英文摘要 46
一、早期佛教寺院「戲場」考 47
（一）「戲場」在一些文獻記載中明顯指遊戲競技的場所 48
（二）漢譯佛經中的「戲場」專指梵劇劇場 48
（三）「戲場」側重於表達遊戲、表演的喧鬧情景 49
（四）「戲場」上以「百戲伎樂」為主要表演內容 49
（五）宋元時期戲曲藝術未能進入佛教寺院的緣由 51
二、佛教寺院創建劇場之緣由 51
三、上黨地區佛教寺院庵堂劇場舉隅 54
（一）寺院類 55
（二）庵類 69
（三）觀音堂類 75
結語 84
引用書目 85
田野考察 86 |
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| ISSN | 18139078 (P) |
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| Hits | 70 |
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| Created date | 2018.10.16 |
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| Modified date | 2023.11.06 |
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