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覚如「三代伝持」の表明における康永本『親鸞伝絵』の意義 : 琳阿本・高田本との絵相比較より=The Significance Of Koei-bon "Shinran Dennne" In the Declaration By Kakunyo "Sandai-denji (the Three Generations)" : In Comparison Of Pictorial Depictions In Ria-bon and Takada-bon
Author 大澤絢子
Source 仏教文化学会紀要=Journal of Research Society of Buddhism and Cultural Heritage=ブッキョウ ブンカ ガッカイ キヨウ
Volumen.23
Date2014.11
Pages225 - 257
Publisher仏教文化学会
Publisher Url https://www.jstage.jst.go.jp/browse/bukkyobunka/-char/ja/
Location東京, 日本 [Tokyo, Japan]
Content type期刊論文=Journal Article
Language日文=Japanese
Table of contents序論 225
一　覚如と『親鸞伝絵』 227
一ー一宗祖伝としての『親鸞伝絵』 227
一ー二　康永本とその位置 230
二　覚如「三代伝持」の表明まで 231
三　康永本『伝絵』における親鸞像の確立と本願寺の正当化 235
三ー一　「選択附属」における法然ー親鸞の法脈の強調 235
三ー二　教義の統制 238
三ー二ー一　「信行両坐」にみられる教義的立場の正当化 238
三ー二ー二　「六角夢想」における教義的立場の明確化 241
三ー三　「洛陽遷化」における僧俗に慕われる親鸞像の確立 245
三ー四　「廟堂創立」における一人の僧ーー本願寺の地位の確立と留守職覚如の正当化 247
結論 251
ISSN09196943 (P)
Hits240
Created date2020.06.21
Modified date2020.06.23



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