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敦煌壁畫漢唐長安城相關問題申論=A Study on the Images of Chang’an City Depicted in Dunhuang Murals Dating from the Han to the Tang Dynasty |
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| Author |
沙武田 (著)=Sha, Wu-tien (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.169) |
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| Date | 2018 |
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| Pages | 55 - 70 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：陝西師範大學絲綢之路歷史文化研究中心教授、敦煌研究院兼職研究員 |
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| Keyword | 敦煌壁畫=Dunhuang murals; 漢唐長安城=Chang’an City in the Han and Tang dynasties; 甘泉宮=Ganquan Palace; 西明寺=Ximing Temple; 里坊=lifang(residential area) |
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| Abstract | 敦煌壁畫中有關漢唐長安城的圖像,分別出現在莫高窟初唐第323窟"張騫出使西域圖"、"曇延法師靈異故事",莫高窟盛唐第217、103窟佛頂尊勝陀羅尼經變"序品"中,另有以莫高窟第85窟為代表的晚唐五代時期華嚴經變中的里坊圖像。這些唐五代宋初出現在敦煌壁畫中的有關漢唐長安城的圖像,是目前所知僅存的以彩色壁畫形式記錄漢唐長安城相關信息珍貴資料,有重要的歷史和學術價值。敦煌壁畫是"形象的歷史",仔細梳理和解讀幾處敦煌壁畫中與漢唐長安城有關的畫面,可以看到長安城在中古時期繪畫史中蛛絲馬跡的影像,使得曾經極其宏偉壯觀、令世人無限嚮往的漢唐國際大都會長安城,通過敦煌壁畫的片斷式記載而展現在世人眼前。雖然目前揭示出來的僅是宏大的長安城的一個個小場景,但也初步展現長安城的魅力所在,同時也彰顯敦煌壁畫研究的價值及其美妙的前景。
Images of Chang’an city in Dunhuang murals dating from the Han to the Tang dynasty have been found depicting the following scenes: 1) Zhang Qian exploring the Western Regions on a diplomatic mission and; 2) the mysterious stories of Buddhist master Tan Yan, both of which are located in Mogao cave 323 and date from the Early Tang; 3) an illustration of the preface to the Usnisa Vijaya Dharani Sutra in High Tang caves 217 and 103 at the Mogao Grottoes, and; 4) a picture of alifang(residential area or neighborhood) in an illustration of the Buddhavatamsaka Sutra in Mogao cave 85 from the Late Tang and Five Dynasties. These visual materials from the Han and Tang dynasties are the only visual material illustrating Chang’an city preserved in the form of colored wall paintings available today and thus are of significant historical and academic value. By carefully observing and interpreting the visual history present in Dunhuang murals we can find traces of the reality of Chang’an city as reflected through a period of highly developed medieval painting, seeing through the fragmental records of Dunhuang a magnificent international metropolis as it was during the Han and Tang dynasties.Currently, only some tiny scenes of the grand city have been thoroughly understood, but they preliminarily display the personality and grandeur of Chang’an from when it was the capital of China, and also highlight the value and potential of Dunhuang murals research. |
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| Table of contents | 一 前言 56
二 漢長安甘泉宮圖像 56
三 北周長安城圖像 59
四 唐長安城大明宮與西明寺圖像 64
五 唐長安城里坊圖像 67
六 小結 69 |
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| ISSN | 10004106 (P) |
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| Hits | 319 |
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| Created date | 2020.10.23 |
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| Modified date | 2020.10.23 |
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