|
|
|
 |
|
|
|
|
|
|
莫高窟第246窟研究=A Study on Mogao Cave 246 |
|
|
|
| Author |
陳菊霞 (著)=Chen, Ju-xia (au.)
|
|---|
| Source |
敦煌研究=Dunhuang Research
|
|---|
| Volume | n.3 (總號=n.175) |
|---|
| Date | 2019 |
|---|
| Pages | 1 - 16 |
|---|
| Publisher | 敦煌研究編輯部 |
|---|
| Publisher Url |
http://www.dha.ac.cn/
|
|---|
| Location | 蘭州, 中國 [Lanzhou, China] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 中文=Chinese |
|---|
| Note | 作者單位：上海大學文學院 |
|---|
| Keyword | 莫高窟=Mogao cave; 十方三世=Ten Direction and Three Ages; 菩薩戒=bodhisattva precepts; 第246窟; 千佛=thousand Buddhas |
|---|
| Abstract | 莫高窟第246窟四壁的千佛是依據與S.4601《賢劫千佛名經》(卷上)和北848《賢劫千佛名經》(卷下)相近的敦煌分卷本《佛說賢劫千佛名經》而繪制。該窟的中心柱塑像意在表達十方三世思想。該窟甬道繪十地菩薩。第246窟所繪塑的這些題材與敦煌文獻中的一些《菩薩戒牒》所奉請的"三師七證"相符。由此,筆者推斷,在當時,一些菩薩戒的授戒儀式很可能就在第246窟中舉行。
The thousand-Buddha motifs on the four walls of Mogao cave 246 were painted according to the Sutra on the Names of the Thousand Buddhas in the Bhadrakalpa in the Dunhuang documents, which is similar to S.4601(the first volume of the sutra) and No. 848 in Beijing Capital Library(the second volume). The statues on the central pillar in this cave were intended to express Buddhist thought on the Ten Directions and Three Ages, while images of the Tenth-Stage( tenth-bhumi) Bodhisattvas are painted on the walls of the corridor. The themes of the statues and paintings in cave 246 correspond to the "three masters and seven monks who testify," having been invited to the Ceremony of Conferral illustrated in the text of Buddhist Clerical Certificates from Dunhuang documents. The author therefore infers that some ceremonies of conferring Buddhist titles and certification were likely held in this cave at that time. |
|---|
| Table of contents | 一 四壁的千佛圖像 2
二 中心柱塑像的內涵 5
1.中心塔柱的重修問題 5
2.解讀中心柱四面龕內塑像之關係 5
三 甬道的菩薩圖像 6
四 菩薩戒傳戒會場 7
五 結語 9
附表 莫高窟第246窟四壁千佛名錄文 10 |
|---|
| ISSN | 10004106 (P) |
|---|
| Hits | 180 |
|---|
| Created date | 2020.11.09 |
|---|
| Modified date | 2022.06.01 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|
