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數字化時代的敦煌壁畫圖像研究 - 以莫高窟第72窟北壁彌勒經變為例=The Study of Dunhuang Murals in the Digital Age - Taking the Maitreya Illustration on the North Wall in Mogao Cave 72 as a Case Study
Author 王惠民 (著)=Wang, Hui-min (au.)
Source 敦煌研究=Dunhuang Research
Volumen.4 (總號=n.176)
Pages26 - 37
Publisher Url
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Keyword莫高窟第72窟=Mogao Cave 72; 彌勒經變=Maitreya Sutra illustration; 榜題=inscription

A close examination of the newly obtained digital images of the Maitreya illustration on the north wall in Mogao cave 72 suggests that most of the scenes and inscriptions can be successfully identified with the aid of new digital technology. By transcribing the inscriptions and texts accompanying the sutra illustration and comparing them with the pictorial representations, the author confirms that the illustration was painted mainly according to the Sutra of Meditation on Maitreya Bodhisattva’s Rebirth Below in Ketumati translated by Yi Jing. Besides this primary model, the illustration absorbed material from a few earlier translated versions of the same sutra and even borrowed from a few sutras that have nothing to do with Maitreya at all. This study allows us to gain a more accurate picture of this illustration and is an excellent example of how research technology innovations can prove effective in the study of ancient history.
Table of contents一 多數榜題出自義凈譯《佛說彌勒下生成佛經》 28
(一)少數榜題據經文改編 29
(二)少數畫面與榜題不符 29
(三)不標榜題 30
(四)榜題與畫面重復 30
二 少數畫面與榜題出自其他彌勒經典 31
(一)出自鳩摩羅什譯《佛說彌勒下生成佛經》 31
(二)出自鳩摩羅什譯《彌勒成佛經》 31
三 少數畫面參考了其他佛經 32
(一)出自佛傳題材 32
(二)西方凈土題材 32
四 來源不明的畫面 32
五 後論 33
附錄:莫高窟第72窟北壁彌勒經變解讀 33
ISSN10004106 (P)
Created date2020.11.09
Modified date2020.12.11

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