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東京國立博物館保管十一面觀音像(多武峰舊藏)研究(上)=The Eleven-faced Avalokitesvara Statue Originally Collected in Tōnomine and Now Kept in Tokyo National Museum (Ⅰ) |
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Author |
松田誠一郎 (著)=Matsuda, Seiichiro (au.)
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王云 (譯)=Wang, Yun (tr.)
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Source |
敦煌研究=Dunhuang Research
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Volume | n.6 (總號=n.178) |
Date | 2019 |
Pages | 1 - 16 |
Publisher | 敦煌研究編輯部 |
Publisher Url |
http://www.dha.ac.cn/
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Location | 蘭州, 中國 [Lanzhou, China] |
Content type | 期刊論文=Journal Article |
Language | 中文=Chinese |
Note | 作者單位:東京藝術大學美術系;中央美術學院人文學院 |
Keyword | 檀像=dansō(sandalwood statue); 白旃檀=candana(white sandalwood); 十一面觀音=Eleven-facedAvalokitesvara; 數珠=aksasūtramuktā-hāra; 瓔珞; 阿地瞿多=Atikūta; 玄奘=Xuanzang; 神泰=Shentai; 定慧=Dinghui; 《十一面神咒心經》=Avalokitesvaraikādasa-mukha-dhāranī; 《十一面觀世音神咒經》=Avalokitesvara-ekadasamukha-dhāranī; 《陀羅尼集經》=Dhāranī-sammucaya-sūtra; 印度=India; 唐=Tang dynasty; 長安=Chang’an; 慧日寺=Huiri Temple; 日本=Japan; 多武峰=Tōnomine |
Abstract | 文章圍繞東京國立博物館保管十一面觀音像(多武峰舊藏),從其圖像、形式、風格以及文獻等方面展開討論,認為此像忠實地反映了與"檀像"概念形成密切相關的《十一面經》的造像法,是唐代略晚於7世紀中期(與《十一面經》第一譯、第二譯出現的年代相當)的中央地區的作品。
This article is an in-depth study of the Eleven-faced Avalokitesvara statue kept in Tokyo National Museum, which was originally collected in Tōnomine in Nara, and seeks to understand the elements of this artifact’s iconography, form, style, and literary source material. The statue shows an almost word-to-word conformity with descriptive passages in the Ekādasamukha-sūtra, which is closely related to the formation of the concept of dansō (sandalwood statue) in Buddhist art. The author conjectures that the statue was a work by members of a prominent group of sculptors in the Chinese continent, and was made in the Tang Dynasty sometime after the middle of the 7th century when the old and new translations of the Ekādasamukha-sūtra were successively created. |
Table of contents | 引子 2 一 基本數據 2 (一)尺寸(單位為厘米) 2 (二)形狀 2 (三)品質與構造 4 (四)保存狀態 4 二 經典依據討論 5 三 細部形式討論 8 (一)頭髮 8 (二)頭上面的胸飾 8 (三)主面的胸飾 10 (四)裝飾物關鍵處的漩渦紋飾 12 (五)上半身的著衣 13 (六)天衣 14 (七)細部形式的討論結果 16 |
ISSN | 10004106 (P) |
Hits | 380 |
Created date | 2020.11.09 |
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