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僧伽變相的內容、演變及形成:以安岳、簡陽兩鋪摩崖造像為中心=On the Content, Evolution, and Formation of Samgha Illustration: Focusing on the Two Cliff Engravings at Anyue and Jianyang
Author 張亮 (著)=Zhang, Liang (au.) ; 鄧可人 (著)=Deng, Ke-ren (au.) ; 陳軍 (著)=Chen, Jun (au.)
Source 敦煌研究=Dunhuang Research
Volumen.1 (總號=n.179)
Date2020
Pages80 - 89
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:四川大學歷史文化學院;西南財經大學圖書館;四川簡陽市文物管理所
Keyword僧伽變相=illustration of Samgha; 三聖=Three Saints; 成都以東=east of Chengdu; 九世紀=ninth century; 觀音信仰=Avalokitesvara faith
Abstract於四川安岳千佛巖和簡陽朝陽寺發現的兩鋪僧伽變相中,主尊均為僧伽、寶志和萬回,朝陽寺僧伽兩側弟子為木叉和慧儼。千佛巖僧伽變相雕22組僧伽行化情節,有12組可釋讀,開鑿於元和、長慶年間。朝陽寺有5組僧伽行化情節,3組可釋讀,系九世紀上中葉的作品。此二鋪僧伽變相與西禪寺、千佛崖同類題材有共同的粉本,是僧伽行化神跡"三十二化"系統的遺存,五代至宋初又形成了"三十六化"系統的僧伽變相,並在成都以東的宋代石窟中開鑿。與僧伽相關的圖像可分為四類,均產生於八世紀上中葉的長安,進而傳入四川。

Two depictions of Samgha were recently discovered, one in the Thousand Buddha Peaks at Anyue and the other in the Chaoyang Temple at Jianyang, the main statues in the former are of Samgha, Baozhi and Wanhui, while in the latter the two disciples of Samgha are Mucha and Huiyan. The relics at Thousand Buddha Peaks, excavated between the Yuanhe and Changqing eras, have 22 groups depicting Samgha’s story, 12 of which can be interpreted. Those from Chaoyang Temple, excavated in the 9 th century, have 5 groups, of which3 can be interpreted. These two illustrations share the same draft with others of the same theme—depictions of Samgha and his disciples— found in both the Xichan Temple and Thousand Buddha Peaks; all of these artworks belong to the greater narrative of Samgha’ s thirty-two miraculous deeds. In the Five Dynasties and Early Songdynasty, the thirty-two miracles were changed to thirty-six, as images from the Song dynasty excavated in the east of Chengdu have shown. The images of Sangha can be divided into four categories, and all of them first appeared in Chang’an in the 8th century.
Table of contents一 內容釋讀 81
(一)尊像 82
1. 三聖 82
2. 木叉、慧儼 82
(二)行化神跡 83
1. 行化江表(龍朔初年至景龍二年,661—708年) 83
2. 聲振長安(景龍二年至景龍四年,708—710年) 85
3. 死後顯聖(景龍四年至大歷十五年,710—780年) 85
二 年代 87
三 佈局特點及川渝地區唐宋僧伽變相的演變 87
四 僧伽圖像的形成 88
ISSN10004106 (P)
Hits260
Created date2020.11.10



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